1. Letter from the Editor in Chief
  2. Emily Wilbourne
  3. pp. vii-viii
  4. DOI: 10.1353/wam.2021.0009
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  1. Transcription of Anonymous, "Si el hado cruel y fiero"
  2. Cesar D. Favila
  3. pp. 1-4
  4. DOI: 10.1353/wam.2021.0001
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  1. Playing Together: Gender Roles and Transformative Displays in the Christmas Bands Movement in Cape Town, South Africa
  2. Sylvia Bruinders
  3. pp. 5-25
  4. DOI: 10.1353/wam.2021.0000
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  1. Housework Lock (her) Down
  2. Jocelyn Ho, Margaret Schedel
  3. pp. 26-32
  4. DOI: 10.1353/wam.2021.0002
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  1. Survivors' Songs in Opera: What the Vulnerable Voice Can Do
  2. Olivia Bloechl
  3. pp. 33-54
  4. DOI: 10.1353/wam.2021.0003
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  1. Expected Face
  2. Katherine Young
  3. pp. 55-63
  4. DOI: 10.1353/wam.2021.0004
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  1. Black Women Rap Battles: A Textual Analysis of U.S. Rap Diss Songs
  2. Tia Tyree, Melvin Williams
  3. pp. 64-86
  4. DOI: 10.1353/wam.2021.0005
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  1. "Mirrors"
  2. Maria Mannone
  3. pp. 87-89
  4. DOI: 10.1353/wam.2021.0006
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  1. Sonic Femininity: The Ronettes' Transgressive Gender Performance
  2. Hilarie Ashton
  3. pp. 90-109
  4. DOI: 10.1353/wam.2021.0007
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  1. Curating Koreanness: Musical Activities of Elite Korean Women in Hawai'i during the Japanese Colonial Period, 1910–1945
  2. Heeyoung Choi
  3. pp. 110-127
  4. DOI: 10.1353/wam.2021.0008
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  1. A Green Jaded Winter
  2. Christine Pan
  3. pp. 128-131
  4. DOI: 10.1353/wam.2021.0010
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  1. The Valise Correspondence: A Reconsideration of Nadia and Lili Boulanger, Composers
  2. Kimberly Francis, Hayley Berry
  3. pp. 132-152
  4. DOI: 10.1353/wam.2021.0011
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  1. "Ant Queen Aria"
  2. Anna Lindemann
  3. pp. 153-159
  4. DOI: 10.1353/wam.2021.0012
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  1. Turning the Madwoman Upside Down: Altisidora's Transgressions in The Comical History of Don Quixote
  2. Paula Maust
  3. pp. 160-183
  4. DOI: 10.1353/wam.2021.0013
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