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In this Issue

Table of Contents

  1. Editorial Comment: On the Possibilities of AI, Performance Studies, and Digital Cohabitation
  2. Sean Metzger
  3. pp. xiii-xx
  4. DOI: https://doi.org/10.1353/tj.2021.0065
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  1. Theatres of Artificial Intelligence and the Overlooked Performances of Computing
  2. Robert Ellis Walton
  3. pp. 279-298
  4. DOI: https://doi.org/10.1353/tj.2021.0067
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  1. The Nonmaterial Mirror: Performing Vibrant Abstractions in AI Networks
  2. Barry Rountree, William Condee
  3. pp. 299-318
  4. DOI: https://doi.org/10.1353/tj.2021.0069
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  1. Human Objecthood in the Datasphere: The Body as Resistant Material in Twenty-First-Century Media
  2. Sarah Lucie
  3. pp. 319-337
  4. DOI: https://doi.org/10.1353/tj.2021.0070
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  1. Scripting Control: Computer Choreography and Neoliberal Performance
  2. Douglas Eacho
  3. pp. 339-357
  4. DOI: https://doi.org/10.1353/tj.2021.0071
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  1. Performing the Glitch: AI Animatronics, Android Scenarios, and the Human Bias
  2. Ulf Otto
  3. pp. 359-372
  4. DOI: https://doi.org/10.1353/tj.2021.0072
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  1. Theatre, Science Fiction, and Care Robots: Embodying Contemporary Experiences of Care
  2. Ian Farnell
  3. pp. 373-389
  4. DOI: https://doi.org/10.1353/tj.2021.0073
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  1. Grief Machines: Transhumanist Theatre, Digital Performance, Pandemic Time
  2. Fintan Walsh
  3. pp. 391-407
  4. DOI: https://doi.org/10.1353/tj.2021.0074
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  1. That Show Was Epic! Phil Lesh and The Terrapin Family Band, 3/16/18 by Phil Lesh (review)
  2. Philip Auslander
  3. pp. 409-410
  4. DOI: https://doi.org/10.1353/tj.2021.0075
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  1. The Glorious World of Crowns, Kinks and Curls by Keli Goff (review)
  2. Koritha Mitchell
  3. pp. 410-412
  4. DOI: https://doi.org/10.1353/tj.2021.0076
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  1. I Only Perform To The Mountain Goats by Anja Keister (review)
  2. Carrie Lee O'Dell
  3. pp. 412-414
  4. DOI: https://doi.org/10.1353/tj.2021.0077
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  1. This Is Who I Am by Amir Nizar Zuabi (review)
  2. Hala Baki
  3. pp. 414-416
  4. DOI: https://doi.org/10.1353/tj.2021.0078
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  1. The Emperor of The Moon by Aphra Behn (review)
  2. Julia Fawcett
  3. pp. 416-418
  4. DOI: https://doi.org/10.1353/tj.2021.0079
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  1. All The Devils Are Here: How Shake Speare Invented The Villain by Patrick Page (review)
  2. Patrick Midgley
  3. pp. 419-420
  4. DOI: https://doi.org/10.1353/tj.2021.0080
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  1. The African Company Presents Richard III by Carlyle Brown (review)
  2. Robin Alfriend Kello
  3. pp. 420-421
  4. DOI: https://doi.org/10.1353/tj.2021.0081
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  1. The Picture of Dorian Gray by Henry Filloux-Bennett (review)
  2. Jennifer A. Low
  3. pp. 422-423
  4. DOI: https://doi.org/10.1353/tj.2021.0082
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  1. The Whip by Juliet Gilkes Romero (review)
  2. Catherine Quirk
  3. pp. 423-425
  4. DOI: https://doi.org/10.1353/tj.2021.0083
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  1. Zoo Motel by Thaddeus Phillips (review)
  2. Honglan Huang
  3. pp. 425-427
  4. DOI: https://doi.org/10.1353/tj.2021.0084
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  1. Insulted. Belarus. Worldwide Read Ings by Andrei Kureichik (review)
  2. Valleri Robinson
  3. pp. 427-429
  4. DOI: https://doi.org/10.1353/tj.2021.0085
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  1. Everybody's Talking About Jamie by Tom MacRae (review)
  2. Hyewon Kim
  3. pp. 429-432
  4. DOI: https://doi.org/10.1353/tj.2021.0086
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  1. Ratatouille: The Tiktok Musical by Lucy Moss (review)
  2. Christian Lewis
  3. pp. 432-433
  4. DOI: https://doi.org/10.1353/tj.2021.0087
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  1. Transnational Connections in Early Modern Theatre ed. by M. A. Katritzky and Pavel Drábek (review)
  2. William N. West
  3. pp. 435-436
  4. DOI: https://doi.org/10.1353/tj.2021.0088
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  1. Preaching The Blues: Black Feminist Performance in Lynching Plays by Maisha S. Akbar (review)
  2. Judith Stephens-Lorenz
  3. pp. 437-438
  4. DOI: https://doi.org/10.1353/tj.2021.0089
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  1. Possessed Voices: Aural Remains From Modernist Hebrew Theatre by Ruthie Abeliovich (review)
  2. Elan Marchinko
  3. pp. 440-442
  4. DOI: https://doi.org/10.1353/tj.2021.0091
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  1. Acts of Poetry: American Poets' Theater and The Politics of Performance by Heidi R. Bean (review)
  2. Kyle C. Frisina
  3. pp. 442-443
  4. DOI: https://doi.org/10.1353/tj.2021.0092
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  1. Beyond Text: Theater and Perfor Mance in Print After 1900 by Jennifer Buckley (review)
  2. Daniel Sack
  3. pp. 443-444
  4. DOI: https://doi.org/10.1353/tj.2021.0093
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  1. Death in Modern Theatre: Stages of Mortality by Adrian Curtin (review)
  2. Julia A. Walker
  3. pp. 445-446
  4. DOI: https://doi.org/10.1353/tj.2021.0094
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  1. Foucault's Theatres ed. by Tony Fisher and Kélina Gotman (review)
  2. David Kornhaber
  3. pp. 446-448
  4. DOI: https://doi.org/10.1353/tj.2021.0095
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  1. The Methuen Drama Handbook of Interculturalism and Performance ed. by Daphne P. Lei and Charlotte McIvor (review)
  2. Ric Knowles
  3. pp. 448-449
  4. DOI: https://doi.org/10.1353/tj.2021.0096
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  1. Tarell Alvin McCraney: Theater, Performnce, and Collaboration ed. by Sharrell D. Luckett et al. (review)
  2. Khalid Y. Long
  3. pp. 449-451
  4. DOI: https://doi.org/10.1353/tj.2021.0097
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  1. Contemporary Scenography: Practices and Aesthetics in German Theatre, Arts and Design ed. by Birgit E. Wiens (review)
  2. Barbora Příhodová
  3. pp. 454-455
  4. DOI: https://doi.org/10.1353/tj.2021.0099
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  1. Postdramatic Tragedies by Emma Cole (review)
  2. Peter A. Campbell
  3. pp. 455-456
  4. DOI: https://doi.org/10.1353/tj.2021.0100
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  1. Social Housing in Performance: The English Council Estate on and Off Stage by Katie Beswick (review)
  2. Elaine Aston
  3. pp. 456-457
  4. DOI: https://doi.org/10.1353/tj.2021.0101
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  1. Theaters of Citizenship: Aesthetics and Politics in Avant-Garde Performance in Egypt by Sonali Pahwa (review)
  2. Edward Ziter
  3. pp. 458-459
  4. DOI: https://doi.org/10.1353/tj.2021.0102
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  1. Beyond Broadway: The Pleasure and Promise of Musical Theatre Across America by Stacy Wolf (review)
  2. Bryan M. Vandevender
  3. pp. 459-461
  4. DOI: https://doi.org/10.1353/tj.2021.0103
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  1. Performing Left and Right
  2. Ioana B. Jucan, Roopa Vasudevan, Anthony Glyn Burton, Tong Wu, Yuguang (YG) Zhang
  3. pp. E-9-E-14
  4. DOI: https://doi.org/10.1353/tj.2021.0064
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  1. Discovering New Stories in What AI Doesn't Know: An Interview with Audiovisual Performance Artist Debashis Sinha
  2. Shanti Pillai, Debashis Sinha
  3. pp. E-15-E-19
  4. DOI: https://doi.org/10.1353/tj.2021.0066
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  1. "I'm like a wise little person": Notes on the Metal Performance of Woebot the Mental Health Chatbot
  2. Evelyn Wan
  3. pp. E-21-E-30
  4. DOI: https://doi.org/10.1353/tj.2021.0068
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