In this Issue
TDR provides scholarship on performances and their social, economic and political contexts. With an emphasis on the experimental, avant-garde, intercultural and interdisciplinary, it covers dance theatre, performance art, popular entertainment, media, sports, rituals and performance in politics and everyday life.
published by
Cambridge University Pressviewing issue
Volume 65, Number 3, Fall 2021 (T251)Table of Contents
Provocation
Articles
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View Reimagining the Brown Body: Contact Improvisation and an Alternative Masculinity in Alignigung, William Forsythe’s Screendance
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Reimagining the Brown Body: Contact Improvisation and an Alternative Masculinity in Alignigung, William Forsythe’s Screendance
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Student Essay Contest Winner
Critical Acts
Books
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View The Routledge Companion to Theatre and Performance Historiography ed. by Tracy C. Davis and Peter W. Marx (review)
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The Routledge Companion to Theatre and Performance Historiography ed. by Tracy C. Davis and Peter W. Marx (review)
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View Shakespeare, Spectatorship and the Technologies of Performance by Pascale Aebischer, and: Shakespeare, Technicity, Theatre by W.B. Worthen (review)
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Shakespeare, Spectatorship and the Technologies of Performance by Pascale Aebischer, and: Shakespeare, Technicity, Theatre by W.B. Worthen (review)
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View Hungry Listening: Resonant Theory for Indigenous Sound Studies by Dylan Robinson, and: Multivocality: Singing on the Borders of Identity by Katherine Meizel, and: The Performative Power of Vocality by Virginie Magnat (review)
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Hungry Listening: Resonant Theory for Indigenous Sound Studies by Dylan Robinson, and: Multivocality: Singing on the Borders of Identity by Katherine Meizel, and: The Performative Power of Vocality by Virginie Magnat (review)
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| ISSN | 1531-4715 |
|---|---|
| Print ISSN | 1054-2043 |
| Launched on MUSE | 2021-09-29 |
| Open Access | No |
Copyright
Copyright © New York University and the Massachusetts Institute of Technology.



