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In this Issue

Table of Contents

  1. Corpo Ranfla: Inter Rim
  2. Rafa Esparza
  3. pp. 2-3
  4. restricted access
  1. A Spark of Freedom: Inherited Recitations of Trauma and Resistance
  2. Laine Halpern Zisman
  3. pp. 8-23
  4. restricted access
  1. Dread Scott’s Slave Rebellion Reenactment: Beholding the Gap in Commemorations of Resistance
  2. Sarah Juliet Lauro
  3. pp. 24-41
  4. restricted access
  1. Sophia Robot: An Emergent Ethnography
  2. Thomas Riccio
  3. pp. 42-77
  4. restricted access
  1. Reimagining the Brown Body: Contact Improvisation and an Alternative Masculinity in Alignigung, William Forsythe’s Screendance
  2. Wesley Lim
  3. pp. 78-90
  4. restricted access
  1. Playing with Horses: Improvisation and Communication
  2. Kimber Sider
  3. pp. 91-102
  4. restricted access
  1. Embodied Philology: Translating Performance from Tashkent to Chicago
  2. Leah Feldman
  3. pp. 103-124
  4. restricted access
  1. The (Afro) Future of Henry Box Brown: His-story of Escape(s) through Time and Space
  2. Danielle A.D. Howard
  3. pp. 125-139
  4. restricted access
  1. Gender and Nation Tightly Bound: Ita Segev’s Knot in My Name
  2. Yarden Stern
  3. pp. 143-149
  4. restricted access
  1. Prophesizing the End of Theatre: La Laura Palmer’s Animales invisibles
  2. Andrés Kalawski, Cristián Opazo
  3. pp. 149-156
  4. restricted access
  1. Embodied Memory and Alternative Futures: The Compton Cowboys’ Peace Ride
  2. Ruby Clementine Kernkamp
  3. pp. 157-162
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  1. The Sense of Brown by José Esteban Muñoz (review)
  2. Christofer A. Rodelo
  3. pp. 163-164
  4. restricted access
  1. ¡Presente! The Politics of Presence by Diana Taylor (review)
  2. Kimberly Skye Richards
  3. pp. 165-167
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  1. Becoming Human: Matter and Meaning in an Antiblack World by Zakiyyah Iman Jackso (review)
  2. Camille S. Owens
  3. pp. 167-168
  4. restricted access
  1. The Routledge Companion to Theatre and Performance Historiography ed. by Tracy C. Davis and Peter W. Marx (review)
  2. Marlis Schweitzer
  3. pp. 169-170
  4. restricted access
  1. Shakespeare, Spectatorship and the Technologies of Performance by Pascale Aebischer, and: Shakespeare, Technicity, Theatre by W.B. Worthen (review)
  2. James R. Ball III
  3. pp. 170-173
  4. restricted access
  1. Hungry Listening: Resonant Theory for Indigenous Sound Studies by Dylan Robinson, and: Multivocality: Singing on the Borders of Identity by Katherine Meizel, and: The Performative Power of Vocality by Virginie Magnat (review)
  2. Masi Asare
  3. pp. 174-177
  4. restricted access
  1. More Books
  2. Jim Short
  3. pp. 178-180
  4. restricted access
  1. Zoom; or, Obsolescence
  2. W.B. Worthen
  3. pp. 181-200
  4. restricted access