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In this Issue

Table of Contents

  1. Greetings from the Editor
  2. Deborah Logan
  3. p. 7
  4. DOI: https://doi.org/10.1353/vct.2016.0010
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  1. Volume Introduction
  2. Deborah Denenholz Morse, Amber Pouliot
  3. pp. 8-14
  4. DOI: https://doi.org/10.1353/vct.2016.0011
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  1. Charlotte Brontë’s Oeuvre as Fantasy Fiction
  2. Diane Long Hoeveler
  3. pp. 15-37
  4. DOI: https://doi.org/10.1353/vct.2016.0012
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  1. Queer Brontë: Parody, Revision, Identification, and the pleasures of (Factitious) Myth-Making
  2. Richard A. Kaye
  3. pp. 38-57
  4. DOI: https://doi.org/10.1353/vct.2016.0013
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  1. The Perils of Representation in Shirley: Portrayals of Women and Workers in Charlotte Brontë’s Industrial Novel
  2. Laura Struve
  3. pp. 58-77
  4. DOI: https://doi.org/10.1353/vct.2016.0014
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  1. Weird Weather: Nonhuman Narration and Unmoored Feelings in Charlotte Brontë’s Villette
  2. Ezra Dan Feldman
  3. pp. 78-99
  4. DOI: https://doi.org/10.1353/vct.2016.0015
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  1. “Grotesque things carved by a besotted pagan for his temple:”: Charlotte Brontë’s Figural Articulations of the Creative process
  2. Susan B. Taylor
  3. pp. 100-123
  4. DOI: https://doi.org/10.1353/vct.2016.0016
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  1. Brontë’s Domestic Uncanny
  2. Karen Chase Levenson
  3. pp. 124-138
  4. DOI: https://doi.org/10.1353/vct.2016.0017
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  1. A Washy Draught and a Husky Morsel: Feeling, Judgment, and the Autonomous Self In Jane Eyre
  2. Patrick Fessenbecker
  3. pp. 139-155
  4. DOI: https://doi.org/10.1353/vct.2016.0018
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  1. Telepathy and Sadomasochism in Jane Eyre
  2. Anthony Michael D’Agostino
  3. pp. 156-169
  4. DOI: https://doi.org/10.1353/vct.2016.0019
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  1. The Gender Politics of Portraiture in The Professor
  2. Beverly Taylor
  3. pp. 170-194
  4. DOI: https://doi.org/10.1353/vct.2016.0020
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  1. “At least shake hands”: Tactile Relations in Charlotte Brontë’s Jane Eyre
  2. Kimberly Cox
  3. pp. 195-215
  4. DOI: https://doi.org/10.1353/vct.2016.0021
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  1. “A Shadow Bent between the Light and the Lattice”: Eclipses and Stellar Astronomy in Charlotte Brontë’s Shirley
  2. Kimberley Dimitriadis
  3. pp. 216-231
  4. DOI: https://doi.org/10.1353/vct.2016.0022
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  1. Brontë’s Inferno: An Intertextual Structural Analysis of Rochester’s Redemptive Fire Baptism in Jane Eyre
  2. Mary-Antoinette Smith
  3. pp. 232-248
  4. DOI: https://doi.org/10.1353/vct.2016.0023
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  1. Oscar Wilde’s Elegant Republic: Transformation, Dislocation and Fantasy in fin-de-siècle Paris by David Charles Rose (review)
  2. Nikolai Endres
  3. pp. 249-252
  4. DOI: https://doi.org/10.1353/vct.2016.0024
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  1. Contributors
  3. pp. 253-254
  4. DOI: https://doi.org/10.1353/vct.2016.0025
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