In this Issue

Table of Contents

Introduction

pp. 1-3
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Toward a Theory of Disability Documentary: Alison O'Daniel's The Tuba Thieves (2013–Present)

Emma Ben Ayoun
pp. 4-24
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Netflix Originals: The Evolution of True Crime Television

Elizabeth Walters
pp. 25-37
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Color Correction and the Look of Festival Documentary

Chris Cagle
pp. 38-48
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Indian Food Television: Tracing the Transformation of Hindi and English Food Shows (2010–2018)

Dattatreya Ghosh
pp. 49-58
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(Re)Writing Music History: Television, Memory, and Nostalgia in The People's History of Pop

Leanne Weston
pp. 59-70
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ACT UP Documentaries and the Question of Intermediate Archival Context

Matt Connolly
pp. 71-82
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Structural Film, Mondo New Hollywood, and the Violent Image: A Discussion with Sheldon Renan

M. Syd Rosen
pp. 83-93
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NSFW: Sex, Humor, and Risk in Social Media by Susanna Paasonen, Kylie Jarrett, and Ben Light (review)

Austin Morris
pp. 94-96
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Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures by Chris Yogerst (review)

Dillon Mitchell
pp. 97-99
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Dialectics without Synthesis: Japanese Film Theory and Realism in a Global Frame by Naoki Yamamoto (review)

Lyuwenyu Zhang
pp. 100-102
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Documentary Resistance: Social Change and Participatory Media by Angela J. Aguayo (review)

Matt St. John
pp. 103-105
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New Approaches to Contemporary Adaptation ed. by Betty Kaklamanidou (review)

Erica Moulton
pp. 106-108
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