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In this Issue

Table of Contents

  1. Poetik der Übertragung: Zur Medialität von Krankheit in Ingeborg Bachmanns Buch Goldmann
  2. Martina Wörgötter
  3. pp. 1-26
  4. DOI: https://doi.org/10.1353/oas.2021.0044
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  1. Rituals of Empire: Gift-Giving and Largesse in Joseph Roth's "Die Büste des Kaisers"
  2. Peter Erickson
  3. pp. 27-55
  4. DOI: https://doi.org/10.1353/oas.2021.0045
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  1. Die Gewalt der Schrift: Eine dekonstruktivistische Lektüre von Arthur Schnitzlers Ich
  2. Traian-Ioan Geană
  3. pp. 57-77
  4. DOI: https://doi.org/10.1353/oas.2021.0046
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  1. I Am from Austria: Czech, Ukrainian, and Slovakian Refugee Poets in New York
  2. Joshua Parker
  3. pp. 79-90
  4. DOI: https://doi.org/10.1353/oas.2021.0047
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  1. Literature as Proxy War: Handke, Serbia, and the Austrian "Inability to Mourn"
  2. Clemens Ruthner
  3. pp. 91-107
  4. DOI: https://doi.org/10.1353/oas.2021.0048
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  1. Ruth Klüger on Vienna and Austria: An Interview
  2. Mark H. Gelber, Ruth Klüger
  3. pp. 109-114
  4. DOI: https://doi.org/10.1353/oas.2021.0049
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  1. The Gentle Apocalypse: Truth and Meaning in the Poetry of Georg Trakl by Richard Millington (review)
  2. Laura McLary
  3. pp. 116-119
  4. DOI: https://doi.org/10.1353/oas.2021.0051
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  1. The Female Secession: Art and the Decorative at the Viennese Women's Academy by Megan Brandow-Faller (review)
  2. Jennifer L. Good
  3. pp. 119-121
  4. DOI: https://doi.org/10.1353/oas.2021.0052
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  1. "Komteß Mizzi": Eine Chronik aus dem Wien um 1900 ed. by Walter Schübler (review)
  2. Carl Niekerk
  3. pp. 121-124
  4. DOI: https://doi.org/10.1353/oas.2021.0053
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  1. Das Zeitalter des Infantilismus: Zu Anton Kuhs Kultur- und Gesellschaftskritik by Franziska Geiser (review)
  2. Raymond L. Burt
  3. pp. 124-126
  4. DOI: https://doi.org/10.1353/oas.2021.0054
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  1. Courage and Fear by Ola Hnatiuk (review)
  2. Joseph W. Moser
  3. pp. 126-128
  4. DOI: https://doi.org/10.1353/oas.2021.0055
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  1. Schatten der Erkenntnis in Paul Celans Meridian und im Gedicht "Schwanengefahr" by Opak Chiara Caradonna (review)
  2. Christine Ivanovic
  3. pp. 128-131
  4. DOI: https://doi.org/10.1353/oas.2021.0056
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  1. Nahe Fremde. Paul Celan und die Deutschen by Wolfgang Emmerich (review)
  2. Martin A. Hainz
  3. pp. 131-134
  4. DOI: https://doi.org/10.1353/oas.2021.0057
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  1. Entwicklungen der Dramatik und Formen des Theaters in Österreich seit den 1960er Jahren ed. by Sieglinde Klettenhammer und Wolfgang Wiesmüller (review)
  2. Peter Höyng
  3. pp. 136-139
  4. DOI: https://doi.org/10.1353/oas.2021.0059
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  1. Fear in the German-Speaking World, 1600–2000 ed. by Thomas J. Kehoe and Michael G. Pickering (review)
  2. Waltraud Maierhofer
  3. pp. 139-142
  4. DOI: https://doi.org/10.1353/oas.2021.0060
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  1. Leseszenen. Poetologie—Geschichte—Medialität ed. by Irina Hron et al. (review)
  2. Martin A. Hainz
  3. pp. 142-145
  4. DOI: https://doi.org/10.1353/oas.2021.0061
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  1. Darstellung als Umweg. Essays und Materialien zu (Krieg und Welt) von Peter Waterhouse ed. by Christine Ivanovic (review)
  2. Barbara Siller
  3. pp. 145-147
  4. DOI: https://doi.org/10.1353/oas.2021.0062
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  1. Faistauer, Schiele, Harta & Co.: Malerei Verbindet: Das Belvedere zu Gast im Salzburg Museum (review)
  2. Katherine Arens
  3. pp. 147-149
  4. DOI: https://doi.org/10.1353/oas.2021.0063
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  1. Die drei Mäntel des Anton K./The Three Overcoats of Anton K by Ernst Krenek (review)
  2. Vincent Kling
  3. pp. 150-152
  4. DOI: https://doi.org/10.1353/oas.2021.0064
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