In this Issue

Table of Contents

Editor's Foreword

Alexander Pettit
pp. V-VIII
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Mort Drucker and Stan Hart, "Strange Interlude with Hazey" (Mad 85, March 1964); George Woodbridge and Stan Hart, "Strange Interludes in Everyday Life" (Mad 90, October 1964)

Marshall Needleman Armintor
pp. 111-124
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Toward a Cinematic O'Neill

Adel Bahroun, Bennet Schaber
pp. 125-152
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The Louis Sheaffer Collection of Eugene O'Neill at Connecticut College

Benjamin Panciera
pp. 153-165
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Unlikely Temple: Building a Theater at Tao House

Eric Fraisher Hayes
pp. 166-181
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Creators of N and The Black Emperor: Interviews with Playwright Adrienne E. Pender and Filmmaker Arthur Egeli

Ryder Thornton
pp. 182-193
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The Melodramadness of Eugene O'Neill by Virgil Geddes (review)

E. Andrew Lee
pp. 194-197
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The Little Art Colony and US Modernism: Carmel, Provincetown, Taos by Geneva M. Gano (review)

Cheryl Black
pp. 198-202
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A Touch of the Poet, Irish Repertory Theatre, New York (streamed) (review)

Suzanne Delle
pp. 203-205
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Shell Shock, Metropolitan Virtual Playhouse, New York (streamed) (review)

Kathleen Kennedy Tobin
pp. 206-209
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Cocaine (Pendleton King), Metropolitan Virtual Playhouse, New York NY (streamed) (review)

Drew Eisenhauer
pp. 210-213
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The Widow's Veil (Alice Rostetter), Metropolitan Virtual Playhouse, New York (streamed) (review)

Max Shulman
pp. 214-216
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The Outside (Susan Glaspell), Metropolitan Virtual Playhouse, New York (streamed) (review)

Judith E. Barlow
pp. 217-219
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Thirst (Ronán Noone), Urbanite Theatre (Sarasota, FL) (review)

Jo Morello
pp. 220-225
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The Black Emperor of Broadway (film, directed by Arthur Egeli) (review)

Shane Breaux
pp. 226-230
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