1. The Swimmers
  2. Walt Hunter
  3. pp. 170-172
  4. DOI: 10.1353/thr.2021.0057
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  1. A Sea
  2. Shane McCrae
  3. p. 173
  4. DOI: 10.1353/thr.2021.0058
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  1. From a Grimoire
  2. Simone Muench, Jackie K. White
  3. p. 174
  4. DOI: 10.1353/thr.2021.0059
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  1. Oblivion
  2. Nathan Blansett
  3. p. 175
  4. DOI: 10.1353/thr.2021.0060
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  1. Sonnets from the American: An Introduction
  2. Dora Malech, Laura T. Smith
  3. pp. 176-178
  4. DOI: 10.1353/thr.2021.0061
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  1. Eulogizing a Generation in Elizabeth Alexander’s “When”
  2. Abdul Ali
  3. pp. 179-184
  4. DOI: 10.1353/thr.2021.0062
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  1. Mapping Radical Poetic Geographies: The Sonnets of Frank X Walker and Maggie Anderson
  2. Jodie Childers
  3. pp. 185-190
  4. DOI: 10.1353/thr.2021.0063
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  1. Frost and Shakespeare
  2. Jonathan F. S. Post
  3. pp. 191-195
  4. DOI: 10.1353/thr.2021.0064
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  1. Deafing the Sonnet
  2. Meg Day
  3. pp. 196-201
  4. DOI: 10.1353/thr.2021.0065
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  1. Three Mothers, Two Eves: Female Virtuosity and Outrage in the American Sonnet
  2. Anna Maria Hong
  3. pp. 202-207
  4. DOI: 10.1353/thr.2021.0066
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  1. Claude McKay’s Lonely Planet: The Sonnet Sequence and the Global City
  2. Walt Hunter
  3. pp. 208-213
  4. DOI: 10.1353/thr.2021.0030
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  1. But Could a Dream: Form and Freedom in Gwendolyn Brooks’s Domestic Sonnets
  2. Tess Taylor
  3. pp. 214-222
  4. DOI: 10.1353/thr.2021.0031
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  1. Strange Voltas
  2. Michael Theune
  3. pp. 223-229
  4. DOI: 10.1353/thr.2021.0032
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  1. Helene Johnson’s Barbaric Songs Choked
  2. Eleanor Wakefield
  3. pp. 230-237
  4. DOI: 10.1353/thr.2021.0033
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  1. John Wheelwright, Sound Engineer
  2. Matthew Kilbane
  3. pp. 238-247
  4. DOI: 10.1353/thr.2021.0034
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  1. The Sonnet Is Not a Luxury
  2. Lisa L. Moore
  3. pp. 248-255
  4. DOI: 10.1353/thr.2021.0035
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  1. Sensuous Waste in the Sonnets of Frederick Goddard Tuckerman
  2. Zoë Pollak
  3. pp. 256-261
  4. DOI: 10.1353/thr.2021.0036
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  1. The Night My Wrist Broke
  2. Tacey M. Atsitty
  3. p. 262
  4. DOI: 10.1353/thr.2021.0037
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  1. Casserole
  2. Paul Bone
  3. p. 263
  4. DOI: 10.1353/thr.2021.0038
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  1. In a Green Shade
  2. Forester McClatchey
  3. p. 264
  4. DOI: 10.1353/thr.2021.0039
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  1. Rooks at Moyglare
  2. Karl O’Hanlon
  3. p. 265
  4. DOI: 10.1353/thr.2021.0040
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  1. Oscar Wilde’s Fairy Tales
  2. Noah Warren
  3. p. 266
  4. DOI: 10.1353/thr.2021.0041
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  1. Medrie Macphee: Works on Paper
  2. Karen Wilkin
  3. pp. 267-276
  4. DOI: 10.1353/thr.2021.0042
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  1. Summer Solstice Sonnet During the Pandemic, and: Winter Solstice Sonnet During the Pandemic
  2. Craig Santos Perez
  3. pp. 269-270
  4. DOI: 10.1353/thr.2021.0043
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  1. Statistics
  2. Journey Fetter
  3. p. 271
  4. DOI: 10.1353/thr.2021.0044
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  1. Poetic Exercise in the Service of Love
  2. Amanda Gunn
  3. p. 272
  4. DOI: 10.1353/thr.2021.0045
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  1. Is This Thing On?
  2. Ernest Hilbert
  3. p. 273
  4. DOI: 10.1353/thr.2021.0046
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  1. The Ghost Variations
  2. M. B. Smith
  3. pp. 274-292
  4. DOI: 10.1353/thr.2021.0047
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  1. Conjunction
  2. Anna Maria Hong
  3. p. 293
  4. DOI: 10.1353/thr.2021.0048
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  1. Diorama of a Dead Planet
  2. Spencer Hupp
  3. p. 294
  4. DOI: 10.1353/thr.2021.0049
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  1. Louisville
  2. Jenna Le
  3. p. 295
  4. DOI: 10.1353/thr.2021.0050
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  1. Film Chronicle
  2. Jefferson Hunter
  3. pp. 296-304
  4. DOI: 10.1353/thr.2021.0052
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  1. Shadow Ballrooms
  2. Jay Rogoff
  3. pp. 304-311
  4. DOI: 10.1353/thr.2021.0054
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  1. Club Q by James Davis, and: What He Did in Solitary by Amit Majmudar (review)
  2. Spencer Hupp
  3. pp. 311-318
  4. DOI: 10.1353/thr.2021.0053
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  1. Max Jacob: A Life in Art and Letters by Rosanna Warren (review)
  2. Ernest Suarez
  3. pp. 318-324
  4. DOI: 10.1353/thr.2021.0055
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  1. Notes on Contributors
  2. pp. 325-329
  3. DOI: 10.1353/thr.2021.0051
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