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In this Issue

Table of Contents

  1. 2020 Is Hindsight …
  2. Devin Orgeron
  3. pp. ix-xii
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  1. Excavating "Arrival of a Train": A Swedish Mining Company's Useful Attractions
  2. Ole Johnny Fossås
  3. pp. 1-18
  4. DOI: https://doi.org/10.5749/movingimage.20.1-2.0001
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  1. Radio Preservation and the Orphan Agenda: Archival Strategies
  2. Shawn VanCour, Josh Shepperd
  3. pp. 19-41
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  1. The Unusual Sources of the French Term Plan in Cinema: Theater Strikes Again!
  2. André Gaudreault
  3. pp. 42-69
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  1. Drawing The Line: Archiving Feminist Animation
  2. Slava Greenberg
  3. pp. 70-84
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  1. Sights and Sounds Reunited: An Exploration of Information Behavior in the Vitaphone Project Community
  2. Annette Bochenek
  3. pp. 85-96
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  1. A Vermont Romance Turns One Hundred: Vermont's Earliest Surviving Photoplay
  2. Martin L. Johnson, Frederick C. Pond
  3. pp. 97-122
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  1. Keep That Image Burning: Digital Kříženecký, Color Veil, and the Cinema That Never Stops Ending
  2. Jiří Anger
  3. pp. 123-155
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  1. Digging Into Digital Newspapers in a Dark Time
  2. Richard Abel
  3. pp. 156-185
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  1. The United Artists Collection: The Acquisition and Contested Value of Archival Materials
  2. Thomas Brami
  3. pp. 186-207
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  1. Just Breathe …
  2. Angela Saward
  3. pp. 208-225
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  1. Local TV News Archives and the Pursuit of Social Justice
  2. Rich Newberg
  3. pp. 226-227
  4. DOI: https://doi.org/10.5749/movingimage.20.1-2.0226
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  1. Black History News Videos Could Capitalize on "Teachable Moment"
  2. Rod Watson
  3. pp. 227-230
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  1. Finding More than I Asked For: Discussing the Impact of COVID-19 on the Film Heritage Foundation, Mumbai, and Korean Film Archive, Seoul
  2. Victoria Duckett
  3. pp. 231-234
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  1. Zoom Interview with Shivendra Singh, October 20, 2020
  2. Victoria Duckett, Shivendra Singh
  3. pp. 235-247
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  1. Zoom Interview with Sungji Oh, October 24, 2020
  2. Victoria Duckett, Sungji Oh
  3. pp. 248-257
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  1. Introduction to Reports
  2. Devin Orgeron
  3. p. 258
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  1. What Does AMIA Do? A Refresher on the Current Vision, Goals, Mission, and More
  2. Melissa Dollman
  3. pp. 259-264
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  1. Past, Present, Future: 2020 Report from the Committee
  2. Winter Shanck, Chloe McLaren
  3. pp. 265-266
  4. DOI: https://doi.org/10.5749/movingimage.20.1-2.0265
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  1. 2020 Report from the Committee
  2. Jennifer O'Leary, Ashley Franks-McGill
  3. p. 267
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  1. Advocacy and Outreach: 2020 Report from the Committee
  2. Magnus Berg, Rachel E. Beattie
  3. pp. 267-269
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  1. 2020 Report from the Committee
  2. Laura Treat, Laura Treat, Natasha Margulis
  3. pp. 269-270
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  1. Traversing Regulations Together: 2020 Report from the Committee
  2. Rachel Del Gaudio, Reto Kromer
  3. pp. 271-273
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  1. 2020 Report from the Committee
  2. Anne Kelly, Greg Wilsbacher
  3. pp. 273-274
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  1. Intermittent Reflections: 2020 Report from the Committee
  2. Genevieve Havemeyer-King, Rebecca Hall
  3. pp. 275-277
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  1. Stronger Together: 2020 Report from the Committee
  2. Siobhan Hagan, Emily Vinson, Laura Treat, Siobhan Hagan
  3. pp. 277-279
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  1. Meeting Members' Needs: 2020 Report from the Committee
  2. Brenda Flora, Pamela Vadakan, Rachel E. Beattie
  3. pp. 280-282
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  1. On the Road: 2020 Report from the Committee
  2. pp. 282-283
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  1. Growth in 2020: 2020 Report from the Committee
  2. Rachel E. Beattie, Kelli Hix, Mona Jimenez, Marie Lascu, Jeff Martin, Yvonne Ng, Amy Sloper, Moriah Ulinskas, Pamela Vadakan, Sandra Yates
  3. pp. 283-285
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  1. No Time for a Hiatus—Reinvigorating Local TV Preservation: 2020 Report from the Committee
  2. Caroline Frick, Siobhan Hagan, Laura Treat, Amy Meaney, Sadie Roosa
  3. pp. 287-290
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  1. Kid Archivist Says: "We Save 2 Film": 2020 Report from the Committee
  2. pp. 291-292
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  1. You Should Probably Submit That to The Moving Image: 2020 Report from the Committee
  2. Publications Committee
  3. p. 292
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  1. Introduction
  2. Devin Orgeron
  3. p. 293
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  1. Pam Wintle Interview in Celebration of AMIA's Twenty-Fifth Anniversary
  2. Pam Wintle
  3. pp. 293-296
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  1. Jan-Christopher "Chris" Horak Interview in Celebration of AMIA's Twenty-Fifth Anniversary
  2. Jan-Christopher Horak
  3. pp. 296-300
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  1. Introduction
  2. Devin Orgeron
  3. p. 301
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  1. Paul Spehr (1931–2019)
  2. Mike Mashon, Geo Willeman, Arlene Balkansky, Dan Streible, Mark Williams
  3. pp. 301-303
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  1. Eileen Bowser (1928–2019)
  2. Paolo Cherchi Usai, Tom Gunning
  3. pp. 303-304
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  1. Jonathan Kahana (1966–2019)
  2. Dan Streible
  3. pp. 305-307
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  1. Steve Ricci (1952–2020)
  2. Eric Smoodin
  3. pp. 307-308
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  1. News Parade: The American Newsreel and the World as Spectacle by Joseph Clark (review)
  2. Tanya Goldman
  3. pp. 309-312
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  1. In the Studio: Visual Creation and Its Material Environments ed. by Brian R. Jacobson (review)
  2. Hannah M. Stamler
  3. pp. 312-314
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  1. Format Matters: Standards, Practices, and Politics in Media Cultures ed. by Marek Jancovic, Axel Volmar, and Alexandra Schneider (review)
  2. Ivy Donnell
  3. pp. 314-316
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  1. The Process Genre: Cinema and the Aesthetic of Labor by Salomé Aguilera Skvirsky (review)
  2. Zizi Li
  3. pp. 317-319
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  1. Hollywood Goes Latin: Spanish-Language Cinema in Los Angeles ed. by María Elena de las Carreras and Jan-Christopher Horak (review)
  2. Daniel Richter
  3. pp. 319-322
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  1. Making Images Move: Handmade Cinema and the Other Arts by Gregory Zinman (review)
  2. Lyuwenyu Zhang
  3. pp. 322-325
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  1. Screening Reality: How Documentary Filmmakers Reimagined America by Jon Wilkman (review)
  2. Anna Briggs
  3. pp. 325-327
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  1. A Million Pictures: Magic Lantern Slides in the History of Learning ed. by Sarah Dellmann (review)
  2. Nico de Klerk
  3. pp. 327-330
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  1. Films That Sell: Moving Pictures and Advertising ed. by Bo Florin, Nico de Klerk, and Patrick Vonderau (review)
  2. Hannah Lee
  3. pp. 330-333
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  1. Le Giornate del Cinema Muto, Thirty-Ninth "Limited Edition": October 3–10, 2020, Online
  2. Kate Saccone
  3. pp. 334-342
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