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In this Issue

Table of Contents

  1. Guest Editor's Introduction
  2. Daniel Batchelder
  3. pp. 133-137
  4. restricted access
  1. Snow White and the Seventh Art: Sound, Song, and Respectability in Disney's First Feature
  2. Daniel Batchelder
  3. pp. 138-153
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  1. Make Mine Pop Music: Walt Disney Films and American Popular Music, 1940–1955
  2. J. B. Kaufman
  3. pp. 154-168
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  1. Nostalgia for a Past Futurism: The Main Street Electrical Parade
  2. Elizabeth Randell Upton
  3. pp. 169-181
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  1. Soaring into Song: Youth and Yearning in Animated Musicals of the Disney Renaissance
  2. Ryan Bunch
  3. pp. 182-195
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  1. The Foreign and the Other in the Music of Mulan (1998)
  2. Lisa Scoggin
  3. pp. 196-211
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  1. Animated Broadway: Disney and Musical Theater in the 1990s and Early 2000s
  2. Alex Bádue, Rebecca S. Schorsch
  3. pp. 212-225
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  1. Music, Memory, Pixar
  2. Daniel Goldmark
  3. pp. 226-236
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  1. From Moana to Vaiana: Voicing the French and Tahitian Dubbed Versions of Disney's Moana
  2. Colleen Montgomery
  3. pp. 237-251
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  1. Polycultural Synthesis in the Music of Chou Wen-chung ed. by Mary I. Arlin and Mark A. Radice (review)
  2. Nancy Yunhwa Rao
  3. pp. 252-258
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  1. Unsettled Scores: Politics, Hollywood, and the Film Music of Aaron Copland & Hanns Eisler by Sally Bick (review)
  2. Anthony Bushard
  3. pp. 258-262
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  1. Earl Scruggs and "Foggy Mountain Breakdown": The Making of an American Classic by Thomas Goldsmith (review)
  2. Sophia M. Enriquez
  3. pp. 262-264
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