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Table of Contents

  1. Uneven Mirrors: Thoughts on the Use of Spatial Doubles and Duplication in Three Recent Works
  2. Abel Paúl
  3. pp. 5-42
  4. DOI: https://doi.org/10.1353/pnm.2020.0011
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  1. Time Metaphor and Prime Numbers in Anatol Vieru's Symphony No. 5
  2. Livia Teodorescu-Ciocănea, Joel Crotty
  3. pp. 43-92
  4. DOI: https://doi.org/10.1353/pnm.2020.0012
  5. restricted access
  1. Who is Buried in Webern's Tomb? Orientations in the Reception of Serial Music from Messiaen to Stockhausen
  2. Max Erwin
  3. pp. 93-128
  4. DOI: https://doi.org/10.1353/pnm.2020.0013
  5. restricted access
  1. Daniel Weymouth's in (all) the time we have left
  2. Sunny Knable
  3. pp. 129-155
  4. DOI: https://doi.org/10.1353/pnm.2020.0014
  5. restricted access
  1. Some Surface-Level "Spurious Associations" between Milton Babbitt's Whirled Series and Baseball
  2. Alison Maggart
  3. pp. 157-214
  4. DOI: https://doi.org/10.1353/pnm.2020.0015
  5. restricted access
  1. Babbitt's Canonical Form Revisited: Codes and Metaphors for Epistemology
  2. Joshua Banks Mailman
  3. pp. 215-245
  4. DOI: https://doi.org/10.1353/pnm.2020.0016
  5. restricted access
  1. Personae
  2. pp. 251-252
  3. DOI: https://doi.org/10.1353/pnm.2020.0017
  4. restricted access