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Table of Contents

  1. Preface
  3. p. 4
  4. DOI: https://doi.org/10.1353/port.2011.0010
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  1. Introduction
  2. Maria Lúcia Pallares-Burke
  3. pp. 5-7
  4. DOI: https://doi.org/10.1353/port.2011.0014
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  1. The Foundations of Freyre's Work: Engagement and Disengagement in the Brazil of 1923––1933
  2. Jeffrey D. Needell
  3. pp. 8-19
  4. DOI: https://doi.org/10.1353/port.2011.0016
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  1. The English in Brazil: A Study in Cultural Encounters
  2. Maria Lúcia G. Pallares-Burke
  3. pp. 20-32
  4. DOI: https://doi.org/10.1353/port.2011.0015
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  1. Secret City: Intensity, Fragmentation and Horror in Assombrações do Recife Velho
  2. Ricardo Benzaquen de Araújo
  3. pp. 33-42
  4. DOI: https://doi.org/10.1353/port.2011.0013
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  1. Gilberto Freyre and the Twentieth-Century Rethinking of Race in Latin America
  2. Richard Drayton
  3. pp. 43-47
  4. DOI: https://doi.org/10.1353/port.2011.0008
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  1. Creolization, Hybridity, Syncretism, Mixture
  2. Charles Stewart
  3. pp. 48-55
  4. DOI: https://doi.org/10.1353/port.2011.0007
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  1. Creolization of the Atlantic World: The Portuguese and the Kongolese
  2. Francisco Bethencourt
  3. pp. 56-69
  4. DOI: https://doi.org/10.1353/port.2011.0009
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  1. Gilberto Freyre, Hybridity and Cultural Translation
  2. Peter Burke
  3. pp. 70-77
  4. DOI: https://doi.org/10.1353/port.2011.0018
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  1. Lusitanian Roots and Iberian Heritage in Raízes do Brasil
  2. Alfredo Cesar Melo
  3. pp. 78-95
  4. DOI: https://doi.org/10.1353/port.2011.0017
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  1. Ideological Meanings through Paratextual Repertoires: Eighteenth-Century Theatre in Portugal as a Case Study
  2. Raquel Bello V´ázquez
  3. pp. 96-107
  4. DOI: https://doi.org/10.1353/port.2011.0011
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  1. Abstracts
  3. pp. 108-113
  4. DOI: https://doi.org/10.1353/port.2011.0012
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