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Table of Contents

  1. Preface
  3. pp. 132-133
  4. DOI: https://doi.org/10.1353/port.2010.0002
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  1. History Recycled: Contemporary Performances of Shakespeare's "Richard II" at Portuguese National Theatres
  2. Francesca Clare Rayner
  3. pp. 134-148
  4. DOI: https://doi.org/10.1353/port.2010.0004
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  1. Images of Defeat: Early Fado Films and the Estado Novo's Notion of Progress
  2. Michael Colvin
  3. pp. 149-167
  4. DOI: https://doi.org/10.1353/port.2010.0016
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  1. The Aquatic Unconscious: Water Imagery in Eça de Queirós's "A Cidade e as Serras"
  2. Estela Vieira
  3. pp. 168-182
  4. DOI: https://doi.org/10.1353/port.2010.0000
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  1. Zola in Rio de Janeiro: The Production of Space in Aluísio Azevedo's "O Cortiço"
  2. Lúcia Sà
  3. pp. 183-204
  4. DOI: https://doi.org/10.1353/port.2010.0005
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  1. The Brazil of Sílvio Romero and Machado de Assis: History of a 'Polemic', or the Writer as Critic of the Critic
  2. Alberto Schneider, Richard Correll
  3. pp. 205-231
  4. DOI: https://doi.org/10.1353/port.2010.0011
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  1. A New Account of the Lisbon Earthquake: Marginalia in Joaquim José Moreira de Mendonça's "Historia Universal dos Terremotos"
  2. MARK MOLESKY
  3. pp. 232-248
  4. DOI: https://doi.org/10.1353/port.2010.0014
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  1. Abstracts
  3. pp. 249-252
  4. DOI: https://doi.org/10.1353/port.2010.0001
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