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Table of Contents

  1. Introduction: Being in Place
  2. Andrew J. Webber
  3. pp. 1-12
  4. DOI: https://doi.org/10.1353/aus.2019.0007
  5. restricted access
  1. Going Home: The Everyday as a Space for (Dis-)Connection in Arthur Schnitzler's Liebelei
  2. Ruth Schor
  3. pp. 58-73
  4. DOI: https://doi.org/10.1353/aus.2019.0030
  5. restricted access
  1. Schnitzler in Britain: Authorship, Translation and Finding a Place at the National Theatre
  2. Nicole Robertson
  3. pp. 89-104
  4. DOI: https://doi.org/10.1353/aus.2019.0005
  5. restricted access
  1. '… die uns nehmen, was uns gehört': On Gender and Economics in Schnitzler's 'Der grüne Kakadu'
  2. Anna Lindner
  3. pp. 149-162
  4. DOI: https://doi.org/10.1353/aus.2019.0013
  5. restricted access
  1. Travelling Cases: Figures of Displacement in and around Schnitzler's Das weite Land
  2. Andrew J. Webber
  3. pp. 179-94
  4. DOI: https://doi.org/10.1353/aus.2019.0019
  5. restricted access
  1. Schnitzler and the Place of Tendentious Drama: Professor Bernhardi
  2. Judith Beniston
  3. pp. 195-209
  4. DOI: https://doi.org/10.1353/aus.2019.0017
  5. restricted access
  1. Anxiety and the Imperial City: Arthur Schnitzler's 'Die Toten schweigen'
  2. Imke Meyer
  3. pp. 210-223
  4. DOI: https://doi.org/10.1353/aus.2019.0016
  5. restricted access
  1. Schnitzler in Historical Contexts: The Case of Fräulein Else
  2. Michael Scheffel
  3. pp. 224-236
  4. DOI: https://doi.org/10.1353/aus.2019.0025
  5. restricted access
  1. Edward Timms (1937–2018): A Memoir
  2. Ritchie Robertson
  3. pp. 237-245
  4. DOI: https://doi.org/10.1353/aus.2019.0031
  5. restricted access
  1. Robert Müller, Paralipomena by Thomas Schwarz Günter Helmes (review)
  2. Florian Krobb
  3. pp. 246-248
  4. DOI: https://doi.org/10.1353/aus.2019.0015
  5. restricted access
  1. Austria Made in Hollywood by Jacqueline Vansant (review)
  2. Katya Krylova
  3. pp. 248-250
  4. DOI: https://doi.org/10.1353/aus.2019.0012
  5. restricted access
  1. Design Dialogue. Jews, Culture and Viennese Modernism by Elena Shapira (review)
  2. Cathy S. Gelbin
  3. pp. 260-261
  4. DOI: https://doi.org/10.1353/aus.2019.0022
  5. restricted access
  1. Egon Erwin Kisch in Pola. Kriegsreportagen vom Ende des Krieges by Ulrike Robeck (review)
  2. Jon Hughes
  3. pp. 261-263
  4. DOI: https://doi.org/10.1353/aus.2019.0008
  5. restricted access
  1. Grenzgänge zum Anorganischen bei Rilke und Celan by Friederike Felicitas Günther (review)
  2. Syamala Roberts
  3. pp. 269-270
  4. DOI: https://doi.org/10.1353/aus.2019.0024
  5. restricted access
  1. Karl Kraus. Phare et brûlot de la modernité viennoise by Jacques Le Rider (review)
  2. Ritchie Robertson
  3. pp. 270-272
  4. DOI: https://doi.org/10.1353/aus.2019.0004
  5. restricted access
  1. Traditionsbrüche. Neue Forschungsansätze zu Hermann Bahr by Tomislav Zelić (review)
  2. Andrew Barker
  3. pp. 276-278
  4. DOI: https://doi.org/10.1353/aus.2019.0006
  5. restricted access
  1. Abstracts
  2. pp. 281-290
  3. DOI: https://doi.org/10.1353/aus.2019.0027
  4. restricted access

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