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Table of Contents

  1. Aeneas
  2. Alistair Elliot
  3. pp. 1-8
  4. DOI: https://doi.org/10.1353/arn.2012.0004
  5. restricted access
  1. Thucydides Quote Unquote
  2. Neville Morley
  3. pp. 9-36
  4. DOI: https://doi.org/10.1353/arn.2012.0013
  5. restricted access
  1. Two Poems
  2. Lawrence Dugan
  3. pp. 37-38
  4. DOI: https://doi.org/10.1353/arn.2012.0010
  5. restricted access
  1. Rubens and the “Smell Of Stone”: The Translation of the Antique and the Emulation of Michelangelo
  2. Steven J. Cody
  3. pp. 39-55
  4. DOI: https://doi.org/10.1353/arn.2012.0001
  5. restricted access
  1. Demeter
  2. Diana Lueptow
  3. p. 57
  4. DOI: https://doi.org/10.1353/arn.2012.0003
  5. restricted access
  1. The Wisdom of Oidipous and the Idea of a Moral Cosmos
  2. Raymond Geuss
  3. pp. 59-89
  4. DOI: https://doi.org/10.1353/arn.2012.0011
  5. restricted access
  1. Three Poems
  2. Brett Foster
  3. pp. 91-96
  4. DOI: https://doi.org/10.1353/arn.2012.0000
  5. restricted access
  1. Medea, Fitzgerald Gallery, New York City, 1966 (After Euripides and Bernard Safran)
  2. Marguerite Johnson
  3. pp. 97-105
  4. DOI: https://doi.org/10.1353/arn.2012.0012
  5. restricted access
  1. From Gnedich (I)
  2. Maria Rybakova
  3. pp. 107-136
  4. DOI: https://doi.org/10.1353/arn.2012.0008
  5. restricted access
  1. From a Svoboda Interview: “Disfigured Achilles”
  2. Dmitrii Volchek, Maria Rybakova
  3. pp. 137-148
  4. DOI: https://doi.org/10.1353/arn.2012.0006
  5. restricted access
  1. Homer in Translation: The Never-Ending Stream
  2. Charles Rowan Beye
  3. pp. 149-159
  4. DOI: https://doi.org/10.1353/arn.2012.0002
  5. restricted access
  1. “The Curious Mixture of Signs” That Is Hieroglyphics
  2. Colin Wells
  3. pp. 161-169
  4. DOI: https://doi.org/10.1353/arn.2012.0005
  5. restricted access
  1. Books Received
  3. pp. 171-175
  4. DOI: https://doi.org/10.1353/arn.2012.0007
  5. restricted access
  1. Back Matter
  3. pp. 177-182
  4. DOI: https://doi.org/10.1353/arn.2012.0009
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