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Table of Contents

  1. Front Matter
  3. DOI: https://doi.org/10.1353/arn.2011.0037
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  1. Back Matter
  3. DOI: https://doi.org/10.1353/arn.2011.0038
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  1. Antinous' Lips: A Note on the Slippery Matter of Realism in Portraiture
  2. AMELIA ARENAS
  3. pp. 1-22
  4. DOI: https://doi.org/10.1353/arn.2011.0034
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  1. Ovid in Rushdie, Rushdie in Ovid: A Nexus of Artistic Webs
  2. IOANNIS ZIOGAS
  3. pp. 23-50
  4. DOI: https://doi.org/10.1353/arn.2011.0019
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  1. Reading the Classics
  2. E. T. JEREMIAH
  3. pp. 51-52
  4. DOI: https://doi.org/10.1353/arn.2011.0033
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  1. On Doing the Truth in Time: The Aeneid's Invention of Poetic Prophecy
  2. WILLIAM FRANKE
  3. pp. 53-63
  4. DOI: https://doi.org/10.1353/arn.2011.0017
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  1. Horace through Johnson (II): The Prodigal Heir "A Short Song of Congratulations": Horace, Johnson, and Satire
  2. KENNETH J. RECKFORD
  3. pp. 65-99
  4. DOI: https://doi.org/10.1353/arn.2011.0031
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  1. On the Sarcophagi
  2. MARK ANTHONY SIGNORELLI
  3. pp. 101-107
  4. DOI: https://doi.org/10.1353/arn.2011.0026
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  1. Selected Epigrams
  2. THOMAS MORE, Susan McLean
  3. pp. 109-112
  4. DOI: https://doi.org/10.1353/arn.2011.0040
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  1. The Neuroscience of the Tragic Mask
  2. PETER MEINECK
  3. pp. 113-158
  4. DOI: https://doi.org/10.1353/arn.2011.0024
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  1. Spotting an Elephant
  2. COLIN WELLS
  3. pp. 159-172
  4. DOI: https://doi.org/10.1353/arn.2011.0029
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  1. "The Greatest Historian" in New English
  2. STEVEN J. WILLETT
  3. pp. 173-185
  4. DOI: https://doi.org/10.1353/arn.2011.0022
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  1. Books Received
  3. pp. 187-196
  4. DOI: https://doi.org/10.1353/arn.2011.0020
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