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In this Issue

Table of Contents

  1. Introduction: Reading After Blanchot
  2. Zakir Paul
  3. pp. 3-10
  4. DOI: https://doi.org/10.1353/sub.2021.0014
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  1. Fiche de fragment: Reading Blanchot with Char
  2. Tom Conley
  3. pp. 11-24
  4. DOI: https://doi.org/10.1353/sub.2021.0013
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  1. Listening for Blanchot
  2. Ann Smock
  3. pp. 25-44
  4. DOI: https://doi.org/10.1353/sub.2021.0016
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  1. The Joy of Uprising and the Fear of the State: On Blanchot's Insurrectional Writings (1968-1969)
  2. Jean-François Hamel, Bernard Schutze
  3. pp. 45-60
  4. DOI: https://doi.org/10.1353/sub.2021.0017
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  1. Politics and Ontology of the Image: Godard's Debt to Blanchot
  2. Anne-Gaëlle Saliot
  3. pp. 61-78
  4. DOI: https://doi.org/10.1353/sub.2021.0018
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  1. "As Nameless as a Flower": The Exhaustions and Excesses of Outliving in Ganja & Hess
  2. Kevin Bell
  3. pp. 79-101
  4. DOI: https://doi.org/10.1353/sub.2021.0019
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  1. Terror of the Image: Maurice Blanchot and Mohammed Dib in Conversation
  2. Nasrin Qader
  3. pp. 102-118
  4. DOI: https://doi.org/10.1353/sub.2021.0021
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  1. Varieties of Nothing
  2. John Brenkman
  3. pp. 119-140
  4. DOI: https://doi.org/10.1353/sub.2021.0022
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  1. Staging Blanchot
  2. Christophe Bident, Sylvia Gorelick
  3. pp. 141-155
  4. DOI: https://doi.org/10.1353/sub.2021.0023
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  1. "A Divided Self and a Doubled World": On Stanley Cavell's Perfectionism
  2. Rex Butler
  3. pp. 156-172
  4. DOI: https://doi.org/10.1353/sub.2021.0025
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  1. An Interview with Jacques Rancière: Playing Freely, from the Other, to the Letter
  2. Joseph R. Shafer, Jacques Rancière
  3. pp. 173-191
  4. DOI: https://doi.org/10.1353/sub.2021.0026
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  1. Contributors
  2. pp. 192-195
  3. DOI: https://doi.org/10.1353/sub.2021.0027
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