In this Issue

Table of Contents

Introduction: Reading After Blanchot

Zakir Paul
pp. 3-10
DOI: https://doi.org/10.1353/sub.2021.0014
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Fiche de fragment: Reading Blanchot with Char

Tom Conley
pp. 11-24
DOI: https://doi.org/10.1353/sub.2021.0013
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Listening for Blanchot

Ann Smock
pp. 25-44
DOI: https://doi.org/10.1353/sub.2021.0016
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The Joy of Uprising and the Fear of the State: On Blanchot's Insurrectional Writings (1968-1969)

Jean-François Hamel, Bernard Schutze
pp. 45-60
DOI: https://doi.org/10.1353/sub.2021.0017
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Politics and Ontology of the Image: Godard's Debt to Blanchot

Anne-Gaëlle Saliot
pp. 61-78
DOI: https://doi.org/10.1353/sub.2021.0018
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"As Nameless as a Flower": The Exhaustions and Excesses of Outliving in Ganja & Hess

Kevin Bell
pp. 79-101
DOI: https://doi.org/10.1353/sub.2021.0019
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Terror of the Image: Maurice Blanchot and Mohammed Dib in Conversation

Nasrin Qader
pp. 102-118
DOI: https://doi.org/10.1353/sub.2021.0021
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Varieties of Nothing

John Brenkman
pp. 119-140
DOI: https://doi.org/10.1353/sub.2021.0022
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Staging Blanchot

Christophe Bident, Sylvia Gorelick
pp. 141-155
DOI: https://doi.org/10.1353/sub.2021.0023
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"A Divided Self and a Doubled World": On Stanley Cavell's Perfectionism

Rex Butler
pp. 156-172
DOI: https://doi.org/10.1353/sub.2021.0025
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An Interview with Jacques Rancière: Playing Freely, from the Other, to the Letter

Joseph R. Shafer, Jacques Rancière
pp. 173-191
DOI: https://doi.org/10.1353/sub.2021.0026
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Contributors

pp. 192-195
DOI: https://doi.org/10.1353/sub.2021.0027
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