1. Editor’s Note
  2. Eero Laine
  3. pp. i-ii
  4. DOI: 10.1353/dtc.2021.0000
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  1. Of Affects, Effects, Acts, and X
  2. Michelle Liu Carriger
  3. pp. 9-11
  4. DOI: 10.1353/dtc.2021.0001
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  1. Infelicities
  2. Aaron C. Thomas
  3. pp. 13-25
  4. DOI: 10.1353/dtc.2021.0002
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  1. “Infected with Queerness,” Or, You’re So Performative, You Probably Think This Essay Is About You
  2. Patrick McKelvey
  3. pp. 27-37
  4. DOI: 10.1353/dtc.2021.0003
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  1. Being and Whiteness: Settler Possession and Performative Wokeness in The Thanksgiving Play
  2. Lilian Mengesha
  3. pp. 39-52
  4. DOI: 10.1353/dtc.2021.0004
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  1. Empty Gestures: Performative Utterances and Allyship
  2. Kelsey Blair
  3. pp. 53-73
  4. DOI: 10.1353/dtc.2021.0005
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  1. Gifs and Performative Spectatorship
  2. Jessica Hautsch, Amy Cook
  3. pp. 75-87
  4. DOI: 10.1353/dtc.2021.0024
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  1. Committing to Commitment: The Trudeauian Nonperformative
  2. Brian Batchelor
  3. pp. 89-92
  4. DOI: 10.1353/dtc.2021.0025
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  1. “Did I Tell Your Story?”: Theatrical Allyship across Caste and Religion in India
  2. Sheetala Bhat
  3. pp. 93-98
  4. DOI: 10.1353/dtc.2021.0026
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  1. Revoking the Irrevocable: On Allyship and Performativity
  2. Lindsay Goss
  3. pp. 99-102
  4. DOI: 10.1353/dtc.2021.0027
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  1. “Escape within the Spiral”: Chromat’s Diverse Bodies as Utopian Performative
  2. Rebecca Halliday
  3. pp. 103-106
  4. DOI: 10.1353/dtc.2021.0006
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  1. Performative Correctness; or, the Subject of Performance and Politics
  2. Kellen Hoxworth
  3. pp. 107-112
  4. DOI: 10.1353/dtc.2021.0007
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  1. A Passive Performative: Alternative Models of Human Agency
  2. Sarah Lucie
  3. pp. 113-116
  4. DOI: 10.1353/dtc.2021.0008
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  1. The Performance of Police and the Theatre of Protest
  2. William Marotti
  3. pp. 117-123
  4. DOI: 10.1353/dtc.2021.0009
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  1. In Defense of Virtue Signaling
  2. James McMaster
  3. pp. 125-129
  4. DOI: 10.1353/dtc.2021.0010
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  1. The Invisible Labor of Setting the Stage
  2. Jon D. Rossini
  3. pp. 131-134
  4. DOI: 10.1353/dtc.2021.0011
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  1. Playing On, Playing Along: Soccer’s Performative Activism in the Time of COVID-19
  2. Jared Strange
  3. pp. 135-139
  4. DOI: 10.1353/dtc.2021.0012
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  1. Performing/Performative Activism: Dance as Protest, Resistance, and Ritual or ... Is It Just For Show??
  2. Gianina K.L. Strother
  3. pp. 141-144
  4. DOI: 10.1353/dtc.2021.0013
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  1. Mercies and Infelicities
  2. Joshua Williams
  3. pp. 145-148
  4. DOI: 10.1353/dtc.2021.0014
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  1. Against the Flows of Theory: Expanding the Ghost with Japanese Noh
  2. Jessica Nakamura
  3. pp. 151-169
  4. DOI: 10.1353/dtc.2021.0015
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  1. Black and White in Black and White: Branden Jacobs-Jenkins’s Sensation Scene in An Octoroon
  2. Alison Walls
  3. pp. 171-191
  4. DOI: 10.1353/dtc.2021.0016
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  1. “The Act of Sepulcher”: Effigies and Other Affects toward a Theory of Historiographic Performance
  2. Patrick Scorese
  3. pp. 193-206
  4. DOI: 10.1353/dtc.2021.0017
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  1. Theory for Theatre Studies: Space by Kim Solga (review)
  2. Eileen Curley
  3. pp. 209-211
  4. DOI: 10.1353/dtc.2021.0018
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  1. Insecurity: Perils and Products of Theatres of the Real by Jenn Stephenson (review)
  2. Al Evangelista
  3. pp. 211-214
  4. DOI: 10.1353/dtc.2021.0019
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  1. The Polish Theatre of the Holocaust by Grzegorz Niziołek (review)
  2. Anthony Hostetter
  3. pp. 214-216
  4. DOI: 10.1353/dtc.2021.0020
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  1. Affect, Animals, and Autists: Feeling Around the Edges by Marla Carlson (review)
  2. Jennifer A. Kokai
  3. pp. 216-218
  4. DOI: 10.1353/dtc.2021.0021
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  1. Performing Trauma in Central Africa: Shadows of Empire by Laura Edmondson (review)
  2. Karin Waidley
  3. pp. 219-221
  4. DOI: 10.1353/dtc.2021.0022
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  1. Books Received
  2. pp. 222-228
  3. DOI: 10.1353/dtc.2021.0023
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