In this Issue
Music & Letters is a leading international journal of musical scholarship, publishing articles on topics ranging from antiquity to the present day and embracing musics from classical, popular, and world traditions. Since its foundation in the 1920s, Music & Letters has especially encouraged fruitful dialogue between musicology and other disciplines. It is renowned for its long and lively reviews sections, the most comprehensive and thought-provoking in any musicological journal.
published by
Oxford University Pressviewing issue
Volume 102, Number 1, February 2021Table of Contents
pp. 1-29
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View Summary of Which Came First, the Demandes D’amours or the Jeu-parti? Evidence from Oxford, Bodleian Library, Ms Douce 308
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Which Came First, the Demandes D’amours or the Jeu-parti? Evidence from Oxford, Bodleian Library, Ms Douce 308
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pp. 54-79
pp. 101-138
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View Summary of ‘The Destiny of a Whole Race’: Identity, Race, and Politics in the Cold War Italian Performances of ‘Porgy and Bess’
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‘The Destiny of a Whole Race’: Identity, Race, and Politics in the Cold War Italian Performances of ‘Porgy and Bess’
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pp. 139-141
pp. 141-143
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View Summary of Composing Community in Late Medieval Music: Self-Reference, Pedagogy, and Practice by Jane D. Hatter (review)
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Composing Community in Late Medieval Music: Self-Reference, Pedagogy, and Practice by Jane D. Hatter (review)
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pp. 143-145
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View Summary of The Oxford Handbook of Music and Medievalism ed. by Stephen C. Meyer, Kirsten Yri (review)
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The Oxford Handbook of Music and Medievalism ed. by Stephen C. Meyer, Kirsten Yri (review)
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pp. 145-148
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View Summary of Hearing Homophony: Tonal Expectation at the Turn of the Seventeenth Century by Megan Kaes Long (review)
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Hearing Homophony: Tonal Expectation at the Turn of the Seventeenth Century by Megan Kaes Long (review)
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pp. 149-151
pp. 151-153
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View Summary of Coquettes, Wives, and Widows: Gender Politics in French Baroque Opera and Theater by Marcie Ray (review)
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Coquettes, Wives, and Widows: Gender Politics in French Baroque Opera and Theater by Marcie Ray (review)
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pp. 153-155
pp. 155-158
pp. 158-160
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View Summary of Listening to China: Sound and the Sino-Western Encounter, 1770–1839 by Thomas Irvine (review)
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Listening to China: Sound and the Sino-Western Encounter, 1770–1839 by Thomas Irvine (review)
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pp. 160-163
pp. 163-166
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View Summary of Songs for ‘Great Leaders’: Ideology and Creativity in North Korean Music and Dance by Keith Howard (review)
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Songs for ‘Great Leaders’: Ideology and Creativity in North Korean Music and Dance by Keith Howard (review)
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pp. 166-168
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View Summary of Prokofiev’s Soviet Operas by Nathan Seinen, and: The Operas of Sergei Prokofiev by Christina Guillaumier (review)
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Prokofiev’s Soviet Operas by Nathan Seinen, and: The Operas of Sergei Prokofiev by Christina Guillaumier (review)
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pp. 168-170
pp. 171-172
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View Summary of Inside Arabic Music: Arabic Maqam Performance and Theory in the 20th Century by Johnny Farraj, Sami Abu Shumays (review)
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Inside Arabic Music: Arabic Maqam Performance and Theory in the 20th Century by Johnny Farraj, Sami Abu Shumays (review)
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pp. 172-173
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View Summary of Musicians’ Migratory Patterns: American–Mexican Border Lands ed. by Mauricio Rodríguez (review)
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Musicians’ Migratory Patterns: American–Mexican Border Lands ed. by Mauricio Rodríguez (review)
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pp. 176-179
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View Summary of What Goes On: The Beatles, their Music and their Time by Walter Everett, Tim Riley, and: The Beatles and Sixties Britain by Marcus Collins (review)
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What Goes On: The Beatles, their Music and their Time by Walter Everett, Tim Riley, and: The Beatles and Sixties Britain by Marcus Collins (review)
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pp. 179-182
pp. 182-184
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| ISSN | 1477-4631 |
|---|---|
| Print ISSN | 0027-4224 |
| Launched on MUSE | 2021-08-18 |
| Open Access | No |
