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Table of Contents

  1. In Memoriam
  2. Logan D. Browning
  3. DOI: https://doi.org/10.1353/sel.2020.0036
  4. restricted access
  1. Locating Women’s Book History in The Stainforth Library of Women’s Writing
  2. Kirstyn J. Leuner
  3. pp. 651-671
  4. DOI: https://doi.org/10.1353/sel.2020.0026
  5. restricted access
  1. How Samuel Taylor Coleridge Suspended Henry Fielding’s Disbelief
  2. Zoe Beenstock
  3. pp. 673-692
  4. DOI: https://doi.org/10.1353/sel.2020.0027
  5. restricted access
  1. Emma and the “Chimera of Relativism”
  2. Yasmin Solomonescu
  3. pp. 693-715
  4. DOI: https://doi.org/10.1353/sel.2020.0028
  5. restricted access
  1. Shelley’s Excursion
  2. Madeleine Callaghan
  3. pp. 717-737
  4. DOI: https://doi.org/10.1353/sel.2020.0029
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  1. Rise of British Petroaesthetics in King Coal’s Levee
  2. Kent Linthicum
  3. pp. 739-759
  4. DOI: https://doi.org/10.1353/sel.2020.0030
  5. restricted access
  1. Charles Dickens’s Realism and the Romantic Essayists
  2. Uttara Natarajan
  3. pp. 761-781
  4. DOI: https://doi.org/10.1353/sel.2020.0031
  5. restricted access
  1. History, Memory, and Rewriting the Past in A Tale of Two Cities
  2. Tina Young Choi
  3. pp. 783-804
  4. DOI: https://doi.org/10.1353/sel.2020.0032
  5. restricted access
  1. Epic-graphic Proportions in George Eliot’s Middlemarch
  2. Amelia Hall
  3. pp. 805-824
  4. DOI: https://doi.org/10.1353/sel.2020.0033
  5. restricted access
  1. Books Received in Nineteenth-Century Studies
  2. pp. 825-836
  3. DOI: https://doi.org/10.1353/sel.2020.0034
  4. restricted access