Articles

  1. Francisco Andreví Castellá (1786–1853): A Preview of a Forthcoming Catalogue of Works
  2. María Ordiñana Gil
  3. pp. 51-66
  4. DOI: 10.1353/fam.2021.0007
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  1. The Music Inventory of the Napoleonic Kingdom of Italy (Milan, 1805–1814)
  2. Licia M. Sirch
  3. pp. 67-157
  4. DOI: 10.1353/fam.2021.0008
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  1. José Soler Casabón's L'Homme sans yeux, sans nez et sans oreilles and Erik Satie's Parade: Two Ballets from Paris of 1917
  2. Sandra Soler Campo
  3. pp. 158-168
  4. DOI: 10.1353/fam.2021.0009
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Briefs/Feuilletons

  1. Briefs / Feuilletons
  2. James P. Cassaro, Julianna Gócza, Mari Itoh
  3. pp. 169-174
  4. DOI: 10.1353/fam.2021.0010
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Reviews

  1. Ina Lohr (1903–1983): Transcending the Boundaries of Early Music by Anne Smith (review)
  2. Mimi Mitchell
  3. pp. 175-177
  4. DOI: 10.1353/fam.2021.0011
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  1. The Sweet Penance of Music: Musical Life in Colonial Santiago de Chile by Alejandro Vera (review)
  2. Hannah Snavely
  3. pp. 177-180
  4. DOI: 10.1353/fam.2021.0012
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  1. Eubie Blake: Rags, Rhythm, and Race by Richard Carlin and Ken Bloom (review)
  2. Aaron J. West
  3. pp. 183-185
  4. DOI: 10.1353/fam.2021.0016
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  1. Restoring the Synagogue Soundtrack: Jewish Religious Music in Nineteenth Century America by Judah M. Cohen (review)
  2. Alon Schab
  3. pp. 188-189
  4. DOI: 10.1353/fam.2021.0015
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