In this Issue

Table of Contents

Francisco Andreví Castellá (1786–1853): A Preview of a Forthcoming Catalogue of Works

María Ordiñana Gil
pp. 51-66
DOI: https://doi.org/10.1353/fam.2021.0007
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The Music Inventory of the Napoleonic Kingdom of Italy (Milan, 1805–1814)

Licia M. Sirch
pp. 67-157
DOI: https://doi.org/10.1353/fam.2021.0008
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José Soler Casabón's L'Homme sans yeux, sans nez et sans oreilles and Erik Satie's Parade: Two Ballets from Paris of 1917

Sandra Soler Campo
pp. 158-168
DOI: https://doi.org/10.1353/fam.2021.0009
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Briefs / Feuilletons

James P. Cassaro, Julianna Gócza, Mari Itoh
pp. 169-174
DOI: https://doi.org/10.1353/fam.2021.0010
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Ina Lohr (1903–1983): Transcending the Boundaries of Early Music by Anne Smith (review)

Mimi Mitchell
pp. 175-177
DOI: https://doi.org/10.1353/fam.2021.0011
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The Sweet Penance of Music: Musical Life in Colonial Santiago de Chile by Alejandro Vera (review)

Hannah Snavely
pp. 177-180
DOI: https://doi.org/10.1353/fam.2021.0012
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Ludwig Senfl (c.1490–1543): A Catalogue Raisonné of the Works and Sources. Volume 1: Catalogue of the Works. Volume 2: Catalogue of the Sources–Abbreviations, Bibliography, Indexes by Stefan Gasch and Sonja Tröster, in collaboration with Birgit Lodes (review)

Joseph Sargent
pp. 180-182
DOI: https://doi.org/10.1353/fam.2021.0013
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Eubie Blake: Rags, Rhythm, and Race by Richard Carlin and Ken Bloom (review)

Aaron J. West
pp. 183-185
DOI: https://doi.org/10.1353/fam.2021.0016
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The Oxford Handbook of Philosophical and Qualitative Assessment in Music Education ed. by David J. Elliott, Marissa Silverman, and Gary E. McPherson (review)

Michael Gale
pp. 185-188
DOI: https://doi.org/10.1353/fam.2021.0014
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Restoring the Synagogue Soundtrack: Jewish Religious Music in Nineteenth Century America by Judah M. Cohen (review)

Alon Schab
pp. 188-189
DOI: https://doi.org/10.1353/fam.2021.0015
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