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Table of Contents

  1. Precarious Presumptions and the "Minority Report": Revisiting the primary sources of the Bach Cello Suites
  2. Zoltán Szabó
  3. pp. 1-33
  4. DOI: https://doi.org/10.1353/bach.2014.a808483
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  1. Hearing the "Töne eines Passionsliedes" in J. S. Bach's "Christmas Oratorio": The Nineteenth-Century Critical Reception of BWV 248
  2. Carolyn Carrier-McClimon
  3. pp. 34-67
  4. DOI: https://doi.org/10.1353/bach.2014.a808488
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  1. The Kyries of J. S. Bach's B-minor Mass and Gottlob Harrer's D-major Mass (Harwv 32): Between Late Baroque and the "Style Galant"
  2. Jordi Rifé i Santaló
  3. pp. 68-93
  4. DOI: https://doi.org/10.1353/bach.2014.a808503
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  1. J. S. Bach's Johannine Theology: The St. John Passion and the Cantatas for the Spring 1725 by Eric Chafe (review)
  2. Mark A. Peters
  3. pp. 94-105
  4. DOI: https://doi.org/10.1353/bach.2014.a808506
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  1. The Authors
  3. pp. 106-107
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  1. Martha Arnold Fellowship at the Riemenschneider Bach Institute
  3. pp. 108-109
  4. DOI: https://doi.org/10.1353/bach.2014.a808491
  5. restricted access