In this Issue

Table of Contents

Editors' Foreword

Troy R. E. Paddock
pp. v-vi
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Guest Editor's Introduction: Language, Landscape, and the Sublime

Richard Povall
pp. vii-xii
DOI: https://doi.org/10.1353/spc.2017.a797522
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Acknowledgments

Richard Povall
p. xiii
DOI: https://doi.org/10.1353/spc.2017.a797516
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Front Matter

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The Distant: Thinking toward Renewed Senses of Landscape and Distance

John Wylie
pp. 1-20
DOI: https://doi.org/10.1353/spc.2017.a797525
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Artist Reflection: B'fhéidir anseo tá mé saor in aisce (A Study in the Possibility of the Sensations of Home)

Beatrice Jarvis
pp. 21-42
DOI: https://doi.org/10.1353/spc.2017.a797521
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The Aesthetics of Immersion and Detachment in the British Natural Sublime: A Historical Perspective

Samantha Wilson
pp. 43-62
DOI: https://doi.org/10.1353/spc.2017.a797524
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Artist Intervention: B([r])e(at[h])ing or Breathing In | Sounding Out (a Langscape)

Stuart Mugridge
pp. 63-69
DOI: https://doi.org/10.1353/spc.2017.a797526
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Antarctica and the Traumatic Sublime

Joanna Price
pp. 70-93
DOI: https://doi.org/10.1353/spc.2017.a797523
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Landscape as Sign Language: A Photographer's Guide to Prospect-Refuge Theory

Simon Warner
pp. 94-110
DOI: https://doi.org/10.1353/spc.2017.a797528
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Landscape after Landscape: Before the Genre and Beyond the View

Henrietta Simson
pp. 111-135
DOI: https://doi.org/10.1353/spc.2017.a797527
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Artist Reflection: We Weave and Heft by the River

Bibi Calderaro, Margaretha Haughwout
pp. 136-149
DOI: https://doi.org/10.1353/spc.2017.a797517
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A Walk in the Woods: Rediscovering America on the Appalachian Trail by Bill Bryson (review)

Kip Redick
pp. 150-158
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Book Note

pp. 159-161
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