1. The Protean World of Sanqu Songs
  2. Patricia Sieber
  3. pp. 1-11
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Sanqu and Its Relationship to the Theater

  1. The Ultimate Sanqu Song: Yao Shouzhong's "The Complaint of the Ox" and Its Place in Tanaka Kenji's Scholarship on Sanqu
  2. Wilt L. Idema
  3. pp. 12-30
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  1. Performing the Emperor: Sui Jingchen's "Han Gaozu Returns to His Home Village"
  2. Karin Myhre
  3. pp. 31-58
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  1. Performing the Role of Playwright: Jia Zhongming's Sanqu Songs in the Supplement to The Register of Ghosts
  2. Wenbo Chang
  3. pp. 59-88
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Sanqu as a Cultural Form and Its Social Diffusion

  1. A Dialectic between Genres and Extension of Poetic Functions: Zhang Kejiu's "Regulated Songs"
  2. Jaehyuk Lee
  3. pp. 89-112
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  1. Yuan-Ming Sanqu Songs as Communal Texts: Discovering Their Literary Vitality from a New Research Perspective
  2. Ye Ye, Erxin Wang
  3. pp. 113-138
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  1. In Praise of This Prosperous and Harmonious Empire: Sanqu, Ming Anthologies, and the Imperial Court
  2. Tian Yuan Tan
  3. pp. 139-162
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Sanqu and Literary Translation

  1. In Search of Pure Sound: Sanqu Songs, Genre Aesthetics, and Translation Tactics
  2. Patricia Sieber, Mario De Grandis, Ke Wang, Hui Yao, Jingying Gao, Ian Mcnally, Xu Yichun, Jenn Marie Nunes
  3. pp. 163-202
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Theoretical Reflections

  1. A Flavor All Its Own: Some Theoretical Considerations on Sanqu Songs as Mixed-Register Literature
  2. Patricia Sieber
  3. pp. 203-235
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  1. Contributors
  2. pp. 236-238
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