1. Editorial Comment: Resisting Theatre
  2. E.J. Westlake
  3. pp. vii-ix
  4. DOI: 10.1353/tj.2021.0037
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  1. “The Black Below”: Minstrelsy, Satire, and the Threat of Vernacularity
  2. Douglas Jones
  3. pp. 129-146
  4. DOI: 10.1353/tj.2021.0038
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  1. All the Nation’s a Stage: The Ghana National Theatre as Sankofa Praxis
  2. Nikki Yeboah
  3. pp. 147-168
  4. DOI: 10.1353/tj.2021.0039
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  1. Horizons of Impossibility: The Political Imperative and the Dramaturgy of Guillermo Calderón
  2. Jennifer Joan Thompson
  3. pp. 169-187
  4. DOI: 10.1353/tj.2021.0040
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  1. Leaving the Theatre of Suffering: Two Endings—and a Color-Conscious Future?—for Hedda Gabler
  2. Olivia N. Gunn
  3. pp. 189-207
  4. DOI: 10.1353/tj.2021.0041
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  1. Josephine Gassman and Her “New Zealand Pickaninnies”: Performing the Colonial Family
  2. Alison Walls
  3. pp. 209-224
  4. DOI: 10.1353/tj.2021.0042
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  1. Last Gasp (WFH) by Peggy Shaw and Lois Weaver (review)
  2. Heidi Łucja Liedke
  3. pp. 225-227
  4. DOI: 10.1353/tj.2021.0062
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  1. The Seagull on the Sims 4 by Celine Song (review)
  2. Alisa Zhulina
  3. pp. 227-229
  4. DOI: 10.1353/tj.2021.0054
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  1. Manila Zoo by Eisa Jocson (review)
  2. Catherine Diamond
  3. pp. 229-231
  4. DOI: 10.1353/tj.2021.0058
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  1. Work.Txt by Nathan Ellis and Emily Davis, and: Phase One: The Underbrush by New Phase Collective (review)
  2. Kristina Friedgen
  3. pp. 231-234
  4. DOI: 10.1353/tj.2021.0059
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  1. Seven Deadly Sins by Hilary Bettis et al. (review)
  2. Horacio Sierra
  3. pp. 234-236
  4. DOI: 10.1353/tj.2021.0052
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  1. The Under Presents: The Tempest by William Shakespeare (review)
  2. Alicia Corts
  3. pp. 236-238
  4. DOI: 10.1353/tj.2021.0057
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  1. Fannie Lou Hamer, Speak On It! by Cheryl L. West (review)
  2. Chloe Johnston
  3. pp. 238-240
  4. DOI: 10.1353/tj.2021.0061
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  1. Sex and Consequences by Isabella Rossellini (review)
  2. Shelby Brewster
  3. pp. 240-242
  4. DOI: 10.1353/tj.2021.0056
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  1. Enrich Festival (review)
  2. Winter Phong
  3. pp. 242-245
  4. DOI: 10.1353/tj.2021.0063
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  1. We’re Gonna Die by Young Jean Lee (review)
  2. Benjamin Gillespie
  3. pp. 245-247
  4. DOI: 10.1353/tj.2021.0060
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  1. Casting Fu Manchu by Eelyn Lee (review)
  2. Tobi Poster-Su
  3. pp. 247-249
  4. DOI: 10.1353/tj.2021.0051
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  1. The Wolves by Sarah DeLappe (review)
  2. Jared Strange
  3. pp. 249-251
  4. DOI: 10.1353/tj.2021.0053
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  1. What the Constitution Means to Me by Heidi Schreck (review)
  2. Natka Bianchini
  3. pp. 251-252
  4. DOI: 10.1353/tj.2021.0055
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  1. Mixed Faith and Shared Feeling: Theater in Post-Reformation London by Musa Gurnis (review)
  2. Chloe Kathleen Preedy
  3. pp. 254-255
  4. DOI: 10.1353/tj.2021.0031
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  1. Irish on the Move: Performing Mobility in American Variety Theatre by Michelle Granshaw (review)
  2. Matthew Rebhorn
  3. pp. 256-257
  4. DOI: 10.1353/tj.2021.0032
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  1. Interchangeable Parts: Acting, Industry, and Technology in US Theater by Victor Holtcamp (review)
  2. Christopher Grobe
  3. pp. 257-258
  4. DOI: 10.1353/tj.2021.0046
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  1. The Theatre of Thomas Kilroy: No Absolutes by José Lanters (review)
  2. Julieann Veronica Ulin
  3. pp. 259-261
  4. DOI: 10.1353/tj.2021.0035
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  1. Shakespeare in the Theatre: Peter Sellars by Ayanna Thompson (review)
  2. Deb Streusand
  3. pp. 261-262
  4. DOI: 10.1353/tj.2021.0034
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  1. Shakespeare in the Theatre: The National Theatre, 1963–1975: Olivier and Hall by Robert Shaughnessy (review)
  2. Jennifer Barnes
  3. pp. 262-264
  4. DOI: 10.1353/tj.2021.0043
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  1. America in the Round: Capital, Race, and Nation at Washington, DC’s Arena Stage by Donatella Galella (review)
  2. Harvey Young
  3. pp. 264-265
  4. DOI: 10.1353/tj.2021.0036
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  1. Transgenerational Remembrance: Performance and the Asia-Pacific War in Contemporary Japan by Jessica Nakamura (review)
  2. David Jortner
  3. pp. 265-266
  4. DOI: 10.1353/tj.2021.0049
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  1. Witness Onstage: Documentary Theatre in Twenty-First-Century Russia by Molly Flynn (review)
  2. Marc A. Robinson
  3. pp. 268-270
  4. DOI: 10.1353/tj.2021.0033
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  1. The Idea of the Avant Garde—and What it Means Today, Volume 2 ed. by Marc James Léger (review)
  2. Jennifer Buckley
  3. pp. 270-271
  4. DOI: 10.1353/tj.2021.0044
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  1. Nomadic Theatre: Mobilizing Theory and Practice on the European Stage by Liesbeth Groot Nibbelink (review)
  2. Silvija Jestrovic
  3. pp. 271-273
  4. DOI: 10.1353/tj.2021.0048
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  1. Performance Constellations: Networks of Protest and Activism in Latin America by Marcela A. Fuentes (review)
  2. Gad Guterman
  3. pp. 273-274
  4. DOI: 10.1353/tj.2021.0047
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