In this Issue

Table of Contents

Editorial Comment: Resisting Theatre

E.J. Westlake
pp. vii-ix
DOI: https://doi.org/10.1353/tj.2021.0037
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“The Black Below”: Minstrelsy, Satire, and the Threat of Vernacularity

Douglas Jones
pp. 129-146
DOI: https://doi.org/10.1353/tj.2021.0038
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All the Nation’s a Stage: The Ghana National Theatre as Sankofa Praxis

Nikki Yeboah
pp. 147-168
DOI: https://doi.org/10.1353/tj.2021.0039
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Horizons of Impossibility: The Political Imperative and the Dramaturgy of Guillermo Calderón

Jennifer Joan Thompson
pp. 169-187
DOI: https://doi.org/10.1353/tj.2021.0040
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Leaving the Theatre of Suffering: Two Endings—and a Color-Conscious Future?—for Hedda Gabler

Olivia N. Gunn
pp. 189-207
DOI: https://doi.org/10.1353/tj.2021.0041
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Josephine Gassman and Her “New Zealand Pickaninnies”: Performing the Colonial Family

Alison Walls
pp. 209-224
DOI: https://doi.org/10.1353/tj.2021.0042
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Last Gasp (WFH) by Peggy Shaw and Lois Weaver (review)

Heidi Łucja Liedke
pp. 225-227
DOI: https://doi.org/10.1353/tj.2021.0062
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The Seagull on the Sims 4 by Celine Song (review)

Alisa Zhulina
pp. 227-229
DOI: https://doi.org/10.1353/tj.2021.0054
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Manila Zoo by Eisa Jocson (review)

Catherine Diamond
pp. 229-231
DOI: https://doi.org/10.1353/tj.2021.0058
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Work.Txt by Nathan Ellis and Emily Davis, and: Phase One: The Underbrush by New Phase Collective (review)

Kristina Friedgen
pp. 231-234
DOI: https://doi.org/10.1353/tj.2021.0059
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Seven Deadly Sins by Hilary Bettis et al. (review)

Horacio Sierra
pp. 234-236
DOI: https://doi.org/10.1353/tj.2021.0052
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The Under Presents: The Tempest by William Shakespeare (review)

Alicia Corts
pp. 236-238
DOI: https://doi.org/10.1353/tj.2021.0057
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Fannie Lou Hamer, Speak On It! by Cheryl L. West (review)

Chloe Johnston
pp. 238-240
DOI: https://doi.org/10.1353/tj.2021.0061
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Sex and Consequences by Isabella Rossellini (review)

Shelby Brewster
pp. 240-242
DOI: https://doi.org/10.1353/tj.2021.0056
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Enrich Festival (review)

Winter Phong
pp. 242-245
DOI: https://doi.org/10.1353/tj.2021.0063
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We’re Gonna Die by Young Jean Lee (review)

Benjamin Gillespie
pp. 245-247
DOI: https://doi.org/10.1353/tj.2021.0060
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Casting Fu Manchu by Eelyn Lee (review)

Tobi Poster-Su
pp. 247-249
DOI: https://doi.org/10.1353/tj.2021.0051
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The Wolves by Sarah DeLappe (review)

Jared Strange
pp. 249-251
DOI: https://doi.org/10.1353/tj.2021.0053
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What the Constitution Means to Me by Heidi Schreck (review)

Natka Bianchini
pp. 251-252
DOI: https://doi.org/10.1353/tj.2021.0055
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Shakespeare and the Politics of Nostalgia: Negotiating the Memory of Elizabeth I on the Jacobean Stage by Yuichi Tsukada (review)

Kavita Mudan Finn
pp. 253-254
DOI: https://doi.org/10.1353/tj.2021.0050
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Mixed Faith and Shared Feeling: Theater in Post-Reformation London by Musa Gurnis (review)

Chloe Kathleen Preedy
pp. 254-255
DOI: https://doi.org/10.1353/tj.2021.0031
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Irish on the Move: Performing Mobility in American Variety Theatre by Michelle Granshaw (review)

Matthew Rebhorn
pp. 256-257
DOI: https://doi.org/10.1353/tj.2021.0032
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Interchangeable Parts: Acting, Industry, and Technology in US Theater by Victor Holtcamp (review)

Christopher Grobe
pp. 257-258
DOI: https://doi.org/10.1353/tj.2021.0046
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Performing Dream Homes: Theater and the Spatial Politics of the Domestic Sphere ed. by Emily Klein, Jennifer-Scott Mobley, and Jill Stevenson (review)

Dorothy Chansky
pp. 258-259
DOI: https://doi.org/10.1353/tj.2021.0045
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The Theatre of Thomas Kilroy: No Absolutes by José Lanters (review)

Julieann Veronica Ulin
pp. 259-261
DOI: https://doi.org/10.1353/tj.2021.0035
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Shakespeare in the Theatre: Peter Sellars by Ayanna Thompson (review)

Deb Streusand
pp. 261-262
DOI: https://doi.org/10.1353/tj.2021.0034
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Shakespeare in the Theatre: The National Theatre, 1963–1975: Olivier and Hall by Robert Shaughnessy (review)

Jennifer Barnes
pp. 262-264
DOI: https://doi.org/10.1353/tj.2021.0043
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America in the Round: Capital, Race, and Nation at Washington, DC’s Arena Stage by Donatella Galella (review)

Harvey Young
pp. 264-265
DOI: https://doi.org/10.1353/tj.2021.0036
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Transgenerational Remembrance: Performance and the Asia-Pacific War in Contemporary Japan by Jessica Nakamura (review)

David Jortner
pp. 265-266
DOI: https://doi.org/10.1353/tj.2021.0049
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Staging Postcommunism: Alternative Theatre in Eastern and Central Europe After 1989 ed. by Vessela S. Warner and Diana Manole (review)

Ileana Alexandra Orlich
pp. 267-268
DOI: https://doi.org/10.1353/tj.2021.0030
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Witness Onstage: Documentary Theatre in Twenty-First-Century Russia by Molly Flynn (review)

Marc A. Robinson
pp. 268-270
DOI: https://doi.org/10.1353/tj.2021.0033
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The Idea of the Avant Garde—and What it Means Today, Volume 2 ed. by Marc James Léger (review)

Jennifer Buckley
pp. 270-271
DOI: https://doi.org/10.1353/tj.2021.0044
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Nomadic Theatre: Mobilizing Theory and Practice on the European Stage by Liesbeth Groot Nibbelink (review)

Silvija Jestrovic
pp. 271-273
DOI: https://doi.org/10.1353/tj.2021.0048
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Performance Constellations: Networks of Protest and Activism in Latin America by Marcela A. Fuentes (review)

Gad Guterman
pp. 273-274
DOI: https://doi.org/10.1353/tj.2021.0047
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