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Table of Contents

  1. Editor’s Message
  2. Benjamin Fraser
  3. pp. 149-150
  4. DOI: https://doi.org/10.1353/hpn.2021.0034
  5. restricted access
  1. Bad Bunny: Un artista latino que canta en subjuntivo
  2. Beatriz Glick
  3. pp. 151-156
  4. DOI: https://doi.org/10.1353/hpn.2021.0035
  5. restricted access
  1. O canto do mar: Jornal criativo em língua portuguesa da Universidade de Wisconsin-Milwaukee, 2017–20
  2. Maria Otília Lage
  3. pp. 157-161
  4. DOI: https://doi.org/10.1353/hpn.2021.0036
  5. restricted access
  1. Contextualizing Social Turmoil Abroad and at Home in the L2 Classroom
  2. Laura Graebner Shepin
  3. pp. 163-168
  4. DOI: https://doi.org/10.1353/hpn.2021.0037
  5. restricted access
  1. Mujeres rifle: Masculinidad femenina en el evento fotográfico de la Revolución Mexicana
  2. Roxana A. Curiel
  3. pp. 169-185
  4. DOI: https://doi.org/10.1353/hpn.2021.0038
  5. restricted access
  1. Bananas, Deep Ecology, and Neocolonialism in Viento fuerte by Miguel Ángel Asturias
  2. Adriana Kolijn
  3. pp. 187-200
  4. DOI: https://doi.org/10.1353/hpn.2021.0039
  5. restricted access
  1. La patria política y la patria dialectal de los californios en el paso del XIX al XX
  2. Covadonga Lamar Prieto
  3. pp. 201-210
  4. DOI: https://doi.org/10.1353/hpn.2021.0040
  5. restricted access
  1. Ela se faz presente: Construindo subjetividades em Um passaporte húngaro, Elena e Os dias com ele
  2. Angela Rodriguez Mooney
  3. pp. 227-239
  4. DOI: https://doi.org/10.1353/hpn.2021.0042
  5. restricted access
  1. O herói negro na poesia da Guerra da Tríplice Aliança: Marcílio Dias em Riachuelo
  2. Leonardo de Oliveira Silva
  3. pp. 259-270
  4. DOI: https://doi.org/10.1353/hpn.2021.0044
  5. restricted access
  1. Lotería in the Age of COVID-19: A Social Semiotic Analysis of Two Artistic Visions
  2. Gabriela C. Zapata
  3. pp. 271-296
  4. DOI: https://doi.org/10.1353/hpn.2021.0045
  5. restricted access
  1. The Necropolitical Theater by Jeffrey K. Coleman (review)
  2. Patricia López-Gay
  3. pp. 299-300
  4. DOI: https://doi.org/10.1353/hpn.2021.0049
  5. restricted access
  1. Rosario Castellanos, intelectual mexicana by Claudia Maribel Domínguez Miranda (review)
  2. Liliana Chávez Díaz
  3. pp. 301-303
  4. DOI: https://doi.org/10.1353/hpn.2021.0052
  5. restricted access
  1. Teaching Modern Latin American Poetries ed. by Jill S. Kuhnheim and Melanie Nicholson (review)
  2. Beth Green-Nagle
  3. pp. 303-304
  4. DOI: https://doi.org/10.1353/hpn.2021.0056
  5. restricted access
  1. Ophelia: Shakespeare and Gender in Contemporary Spain by Sharon Keefe Ugalde (review)
  2. John Margenot
  3. pp. 306-307
  4. DOI: https://doi.org/10.1353/hpn.2021.0061
  5. restricted access
  1. The Desertmakers. Travel, War, and the State in Latin America by Javier Uriarte (review)
  2. Cinthya Torres
  3. pp. 307-309
  4. DOI: https://doi.org/10.1353/hpn.2021.0062
  5. restricted access
  1. Hemispheric Integration: Materiality, Mobility, and the Making of Latin American Art by Niko Vicario (review)
  2. Álvaro Ramírez
  3. pp. 310-312
  4. DOI: https://doi.org/10.1353/hpn.2021.0064
  5. restricted access
  1. Pancho y las Momias: A Teacher’s Guide with a Focus on Interculturality by Rachel Emery (review)
  2. Linxi Zhang
  3. pp. 315-316
  4. DOI: https://doi.org/10.1353/hpn.2021.0053
  5. restricted access
  1. Crónicas de América Latina: Narrativa de no-ficción ed. by Esteban Mayorga and Miguel A Novella (review)
  2. Mark Gorecki
  3. pp. 321-323
  4. DOI: https://doi.org/10.1353/hpn.2021.0058
  5. restricted access
  1. El chico de las bobinas by Pere Cervantes (review)
  2. Joanne Lucena
  3. pp. 324-325
  4. DOI: https://doi.org/10.1353/hpn.2021.0048
  5. restricted access
  1. Nos quedan los dones ed. by Eliseo Diego (review)
  2. Gustavo Pérez-Firmat
  3. pp. 325-326
  4. DOI: https://doi.org/10.1353/hpn.2021.0051
  5. restricted access