In this Issue

Table of Contents

Daytime

Mariana Valencia
pp. 2-3
restricted access

The Theatre of Purgation and the Theatre of Cultivation: A Comparative Study of Theatre and Culture from a Chinese Perspective

William Huizhu Sun
pp. 8-28
restricted access

Defying “Death at the Wheel”: The Unexpectedly Long Life and Far Reach of Bertha, the Sewing Machine Girl

Heather S. Nathans
pp. 29-44
restricted access

Joy and Love in Zora Neale Hurston and Dorothy Waring’s 1944 Black Feminist Musical Polk County

Eric M. Glover
pp. 45-62
restricted access

Quangang Hokkien Opera: Development by the People

Chen Shixiong, Dong Guochen
pp. 63-76
restricted access

Restaging Zhu Yingtai in Early Communist China: Shaoxing Opera, Color Film, and the “New Woman”

Ho Chak Law
pp. 77-94
restricted access

Foreign Assembly: Toshiki Okada’s Time’s Journey through a Room in the US

Carol Martin
pp. 95-105
restricted access

An Illusion that Mirrors a Dream: The Storytelling of Stan Lai

Chiayi Seetoo
pp. 106-130
restricted access

Drama Etudes: A Pedagogical Experiment in China

Shen Liang
pp. 131-149
restricted access

Shanghai: The Road to a Modern Performing Arts City

Huang Changyong
pp. 150-166
restricted access

The Chinese Lady: US History’s Object Lesson Becomes US History’s Interpreter

Colleen Kim Daniher
pp. 167-172
restricted access

Catering to White Audiences: Fairview at Woolly Mammoth

Paul J. Edwards
pp. 173-178
restricted access

Necroperformance: Cultural Reconstructions of the War Body by Dorota Sajewska (review)

Joseph Roach
pp. 179-181
restricted access

Rediscovering Stanislavsky by Maria Shevtsova (review)

Laurence Senelick
pp. 181-182
restricted access

The Life and Work of Nature Theater of Oklahoma ed. by Florian Malzacher (review)

Joseph Cermatori
pp. 183-185
restricted access

Theater of State: A Dramaturgy of the United Nations by James R. Ball III. (review)

Scott Magelssen
pp. 185-187
restricted access

Dancing the World Smaller: Staging Globalism in Mid-Century America by Rebekah J. Kowal (review)

Cristina Tadeo
pp. 187-189
restricted access

Theater in the Middle East: Between Performance and Politics ed. by Babak Rahimi (review)

Mohammad Mehdi Kimiagari
pp. 189-191
restricted access

What Comes After Farce?: Art and Criticism at a Time of Debacle by Hal Foster (review)

Georgia Phillips-Amos
pp. 191-194
restricted access

(toward) a phenomenology of acting by Phillip B. Zarrilli, and: Intercultural Acting and Performer Training ed. by Phillip B. Zarrilli, T. Sasitharan and Anuradha Kapur (review)

Kris Salata
pp. 194-196
restricted access

More Books

Amy Yourd
pp. 197-198
restricted access