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In this Issue

Table of Contents

  1. Daytime
  2. Mariana Valencia
  3. pp. 2-3
  4. restricted access
  1. The Theatre of Purgation and the Theatre of Cultivation: A Comparative Study of Theatre and Culture from a Chinese Perspective
  2. William Huizhu Sun
  3. pp. 8-28
  4. restricted access
  1. Defying “Death at the Wheel”: The Unexpectedly Long Life and Far Reach of Bertha, the Sewing Machine Girl
  2. Heather S. Nathans
  3. pp. 29-44
  4. restricted access
  1. Joy and Love in Zora Neale Hurston and Dorothy Waring’s 1944 Black Feminist Musical Polk County
  2. Eric M. Glover
  3. pp. 45-62
  4. restricted access
  1. Quangang Hokkien Opera: Development by the People
  2. Chen Shixiong, Dong Guochen
  3. pp. 63-76
  4. restricted access
  1. Restaging Zhu Yingtai in Early Communist China: Shaoxing Opera, Color Film, and the “New Woman”
  2. Ho Chak Law
  3. pp. 77-94
  4. restricted access
  1. Foreign Assembly: Toshiki Okada’s Time’s Journey through a Room in the US
  2. Carol Martin
  3. pp. 95-105
  4. restricted access
  1. An Illusion that Mirrors a Dream: The Storytelling of Stan Lai
  2. Chiayi Seetoo
  3. pp. 106-130
  4. restricted access
  1. Drama Etudes: A Pedagogical Experiment in China
  2. Shen Liang
  3. pp. 131-149
  4. restricted access
  1. Shanghai: The Road to a Modern Performing Arts City
  2. Huang Changyong
  3. pp. 150-166
  4. restricted access
  1. The Chinese Lady: US History’s Object Lesson Becomes US History’s Interpreter
  2. Colleen Kim Daniher
  3. pp. 167-172
  4. restricted access
  1. Catering to White Audiences: Fairview at Woolly Mammoth
  2. Paul J. Edwards
  3. pp. 173-178
  4. restricted access
  1. Necroperformance: Cultural Reconstructions of the War Body by Dorota Sajewska (review)
  2. Joseph Roach
  3. pp. 179-181
  4. restricted access
  1. Rediscovering Stanislavsky by Maria Shevtsova (review)
  2. Laurence Senelick
  3. pp. 181-182
  4. restricted access
  1. The Life and Work of Nature Theater of Oklahoma ed. by Florian Malzacher (review)
  2. Joseph Cermatori
  3. pp. 183-185
  4. restricted access
  1. Theater of State: A Dramaturgy of the United Nations by James R. Ball III. (review)
  2. Scott Magelssen
  3. pp. 185-187
  4. restricted access
  1. Dancing the World Smaller: Staging Globalism in Mid-Century America by Rebekah J. Kowal (review)
  2. Cristina Tadeo
  3. pp. 187-189
  4. restricted access
  1. Theater in the Middle East: Between Performance and Politics ed. by Babak Rahimi (review)
  2. Mohammad Mehdi Kimiagari
  3. pp. 189-191
  4. restricted access
  1. What Comes After Farce?: Art and Criticism at a Time of Debacle by Hal Foster (review)
  2. Georgia Phillips-Amos
  3. pp. 191-194
  4. restricted access
  1. (toward) a phenomenology of acting by Phillip B. Zarrilli, and: Intercultural Acting and Performer Training ed. by Phillip B. Zarrilli, T. Sasitharan and Anuradha Kapur (review)
  2. Kris Salata
  3. pp. 194-196
  4. restricted access
  1. More Books
  2. Amy Yourd
  3. pp. 197-198
  4. restricted access