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Table of Contents

  1. Horses and Harries: Medieval Depictions of Virtue and Vice in 1 Henry IV
  2. Ann Hubert
  3. pp. 1-30
  4. DOI: https://doi.org/10.1353/cdr.2021.0000
  5. restricted access
  1. Watching Chekhov in Tehran: From Superfluous Men to Female Revolutionaries
  2. Rebecca Ruth Gould
  3. pp. 31-58
  4. DOI: https://doi.org/10.1353/cdr.2021.0001
  5. restricted access
  1. Between the Rainbow Nation and the Melting Pot: Troubling Reconciliation with The Fall
  2. Jared Strange
  3. pp. 59-82
  4. DOI: https://doi.org/10.1353/cdr.2021.0002
  5. restricted access
  1. Mother Medea and Her Children: Maternal Ambivalence in the Medean Plays of Marina Carr, Cherríe Moraga, and Rachel Cusk
  2. Verna A. Foster
  3. pp. 83-111
  4. DOI: https://doi.org/10.1353/cdr.2021.0003
  5. restricted access
  1. Reading Drama in Tudor England by Tamara Atkin (review)
  2. Cyndia Susan Clegg
  3. pp. 113-115
  4. DOI: https://doi.org/10.1353/cdr.2021.0004
  5. restricted access
  1. Building Character: The Art and Science of Casting by Amy Cook (review)
  2. Gibson Alessandro Cima
  3. pp. 116-118
  4. DOI: https://doi.org/10.1353/cdr.2021.0005
  5. restricted access
  1. The Nervous Stage: Nineteenth-Century Neuroscience and the Birth of Modern Theatre by Matthew Wilson Smith (review)
  2. Sarah McCarroll
  3. pp. 119-121
  4. DOI: https://doi.org/10.1353/cdr.2021.0006
  5. restricted access
  1. Tom Stoppard: A Life by Hermione Lee (review)
  2. Aaron Botwick
  3. pp. 122-124
  4. DOI: https://doi.org/10.1353/cdr.2021.0007
  5. restricted access
  1. Contributors
  3. pp. 125-126
  4. DOI: https://doi.org/10.1353/cdr.2021.0008
  5. restricted access