In this Issue

Table of Contents

La historia busca una voz: Silencio, sonido y agencia en La ruidosa marcha de los mudos

Iván A. Espinosa-Orozco
pp. 251-269
DOI: https://doi.org/10.1353/mln.2021.0014
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A Narrative Vaivén: Lucha libre and the Modern Nation Unready-to-hand in Horacio Castellanos Moya’s La sirvienta y el luchador

Tamara L. Mitchell
pp. 270-291
DOI: https://doi.org/10.1353/mln.2021.0015
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Latin American Cancer Poetry: Medicine, Political Violence and Collective Memory

Daniel A. Romero Suarez
pp. 292-312
DOI: https://doi.org/10.1353/mln.2021.0016
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Physiognomies of Performance: The Corollary of Representation in the Work of Abdias do Nascimento

Juan Suárez Ontaneda
pp. 313-334
DOI: https://doi.org/10.1353/mln.2021.0017
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Special Section: Essays in Honor of Harry Sieber

William Egginton
pp. 335-336
DOI: https://doi.org/10.1353/mln.2021.0018
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Notes on Time and Visualization in Don Quixote

Emilie L. Bergmann
pp. 337-352
DOI: https://doi.org/10.1353/mln.2021.0019
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Margaret Oliphant Reads Cervantes

Edward H. Friedman
pp. 353-373
DOI: https://doi.org/10.1353/mln.2021.0020
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La despedida de Cervantes en el Viaje del Parnaso

María Antonia Garcés
pp. 374-390
DOI: https://doi.org/10.1353/mln.2021.0021
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“Novelistic Historiography” from Lucian to Cervantes

Francisco Gómez Martos
pp. 391-405
DOI: https://doi.org/10.1353/mln.2021.0022
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Vernacular Philology on the Margins: Readers of Ausiàs March in BNE, R/3192 and R/5414

Albert Lloret
pp. 406-422
DOI: https://doi.org/10.1353/mln.2021.0023
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Lyric and Empire

Gabrielle Piedad Ponce-Hegenauer
pp. 423-440
DOI: https://doi.org/10.1353/mln.2021.0024
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Repeat Performance: Garcilaso de la Vega and Miguel de Cervantes on Common Maghribi Ground

Robert ter Horst
pp. 441-460
DOI: https://doi.org/10.1353/mln.2021.0025
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El coloquio de los perros, El casamiento engañoso y el debate sobre la marginación a principios del siglo XVII

Enrique Villalba Pérez, Manuel Colás Gil
pp. 461-474
DOI: https://doi.org/10.1353/mln.2021.0026
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The Dictator Novel: Writers and Politics in the Global South by Magalí Armillas-Tiseyra (review)

Lanie Millar
pp. 475-477
DOI: https://doi.org/10.1353/mln.2021.0027
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Staging Favorites: Theatrical Representations of Political Favoritism in the Early Modern Courts of Spain, France, and England by Francisco Gómez Martos (review)

Erin Alice Cowling
pp. 478-479
DOI: https://doi.org/10.1353/mln.2021.0028
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Ascent to Glory: How One Hundred Years of Solitude Was Written and Became a Global Classic by Alvaro Santana-Acuña (review)

Jon Beasley-Murray
pp. 479-481
DOI: https://doi.org/10.1353/mln.2021.0029
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