1. From the Editors
  2. p. x
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  1. "Where the Turbot Is King": Murat's "Le Turbot" as Modern Fairy-centric Response to d'Aulnoy's "Le Dauphin"
  2. Melissa A. Hofmann
  3. pp. 3-35
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  1. Rumpelstiltskin's (Queer) Secret: Nonbinary Bodies Buried between the Lines of the Brothers Grimm
  2. Andrea Meyertholen
  3. pp. 36-61
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  1. Biting Back: Safe Space and Animal Desire in Margo Lanagan's Tender Morsels (2008)
  2. Christophe Van Eecke
  3. pp. 62-78
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  1. Breaking the Surface: Mermaids and the Middle Passage
  2. Paula T. Connolly
  3. pp. 79-93
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  1. A Fairy-Tale Apocalypse: Humanity, Nature, and Disease in Stand Still. Stay Silent
  2. Misha Grifka Wander
  3. pp. 94-108
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  1. Once Upon a Time in Japan: Adaptation Strategies in Grimm's Fairy Tale Classics Series
  2. Weronika Kostecka, Xavier Mínguez-López
  3. pp. 109-128
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  1. Despite What the Stories Say: Introduction to "Braid"
  2. Kirstyn McDermott
  3. pp. 131-164
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  1. "Clochetin or the Kingdom of Sa-Sa"
  2. Marceline Desbordes-Valmore, Adrion Dula
  3. pp. 165-181
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  1. Fairy Tales from Tan Zhenshan in Contemporary China: An Introduction to the Translation of "A Paper Maiden Turned into a Real Wife"
  2. Juwen Zhang, Fan Jiang
  3. pp. 182-193
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  1. A Tale Told by Tan Zhenshan: "A Paper Maiden Turned into a Real Wife"
  2. Tan Zhenshan, Min Wei, Juwen Zhang, Bill Long
  3. pp. 186-193
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  1. The Complete and Original Norwegian Folktales of Asbjørnsen and Moe by Tiina Nunnally (review)
  2. Nathan Sogla
  3. pp. 197-199
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  1. Gabrielle-Suzanne Barbot de Villeneuve, Beauty and the Beast: The Original Story ed. by Aurora Wolfgang (review)
  2. Anne E. Duggan
  3. pp. 199-201
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  1. Suffolk Fairylore by Francis Young (review)
  2. Heather M. Hoyt
  3. pp. 201-203
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  1. Scaled for Success: The Internationalisation of the Mermaid ed. by Philip Hayward (review)
  2. Amy J. Carlson
  3. pp. 207-209
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  1. Critical Exchanges
  2. p. 210
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  1. Contributors
  2. pp. 211-213
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