In this Issue

Table of Contents

General Equal-Tempered Harmony: Parts 2 and 3

Ian Quinn
pp. 4-63
DOI: https://doi.org/10.1353/pnm.2007.0016
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On Tempo Relations

Andrew Mead
pp. 64-108
DOI: https://doi.org/10.1353/pnm.2007.0014
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Symmetrical Permutation, the Twelve Tones, and Messiaen's "Catalogue d'oiseaux"

Wai-Ling Cheong
pp. 110-136
DOI: https://doi.org/10.1353/pnm.2007.0017
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Vignettes of Old Masters IV: Jim Randall's "Benfest" (For Jim Randall at 77)

Benjamin Boretz
pp. 138-153
DOI: https://doi.org/10.1353/pnm.2007.0013
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The History of Set Theory from a European Point of View

Luigi Verdi
pp. 154-183
DOI: https://doi.org/10.1353/pnm.2007.0012
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A Model of Melodic Expectation for Some Neo-Romantic Music of Penderecki

Scott Murphy
pp. 184-222
DOI: https://doi.org/10.1353/pnm.2007.0015
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Interpreting a Composition, Composing an Interpretation: Schnebel's "Schubert-Phantasie" (1978, Rev. 1989)

Pieter Bergé
pp. 224-234
DOI: https://doi.org/10.1353/pnm.2007.0018
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Formant Synthesis, Granular Synthesis, and Waveshaping in "Halo, Bells and Voices", Bessell

David Bessell
pp. 236-252
DOI: https://doi.org/10.1353/pnm.2007.0011
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Personae / Acknowledgments

DOI: https://doi.org/10.1353/pnm.2007.0019
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