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Table of Contents

  1. Personae / Acknowledgments
  3. DOI: https://doi.org/10.1353/pnm.2007.0019
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  1. General Equal-Tempered Harmony: Parts 2 and 3
  2. Ian Quinn
  3. pp. 4-63
  4. DOI: https://doi.org/10.1353/pnm.2007.0016
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  1. On Tempo Relations
  2. Andrew Mead
  3. pp. 64-108
  4. DOI: https://doi.org/10.1353/pnm.2007.0014
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  1. Symmetrical Permutation, the Twelve Tones, and Messiaen's "Catalogue d'oiseaux"
  2. Wai-Ling Cheong
  3. pp. 110-136
  4. DOI: https://doi.org/10.1353/pnm.2007.0017
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  1. Vignettes of Old Masters IV: Jim Randall's "Benfest" (For Jim Randall at 77)
  2. Benjamin Boretz
  3. pp. 138-153
  4. DOI: https://doi.org/10.1353/pnm.2007.0013
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  1. The History of Set Theory from a European Point of View
  2. Luigi Verdi
  3. pp. 154-183
  4. DOI: https://doi.org/10.1353/pnm.2007.0012
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  1. A Model of Melodic Expectation for Some Neo-Romantic Music of Penderecki
  2. Scott Murphy
  3. pp. 184-222
  4. DOI: https://doi.org/10.1353/pnm.2007.0015
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  1. Interpreting a Composition, Composing an Interpretation: Schnebel's "Schubert-Phantasie" (1978, Rev. 1989)
  2. Pieter Bergé
  3. pp. 224-234
  4. DOI: https://doi.org/10.1353/pnm.2007.0018
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  1. Formant Synthesis, Granular Synthesis, and Waveshaping in "Halo, Bells and Voices", Bessell
  2. David Bessell
  3. pp. 236-252
  4. DOI: https://doi.org/10.1353/pnm.2007.0011
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