1. Personae / Acknowledgments
  2. DOI: 10.1353/pnm.2008.0006
  3. restricted access contents
  1. (Im)possibilities of Communication: Celan, Ruzicka, Dittrich
  2. Axel Englund
  3. pp. 5-32
  4. DOI: 10.1353/pnm.2008.0004
  5. restricted access contents
  1. Residue Cycles of Fibonacci Series Modulo m as Tools for Serial Composition
  2. Jonathan Haek
  3. pp. 33-58
  4. DOI: 10.1353/pnm.2008.0001
  5. restricted access contents
  1. Rainyday Reflections
  2. Benjamin Boretz
  3. pp. 59-80
  4. DOI: 10.1353/pnm.2008.0003
  5. restricted access contents
  1. "Mille Plateaux," You Tarzan: A Musicology of (an Anthropology of (an Anthropology of "A Thousand Plateaus"))
  2. John Rahn
  3. pp. 81-92
  4. DOI: 10.1353/pnm.2008.0007
  5. restricted access contents
  1. Is There a Deleuzian Musical Work?
  2. Michael Gallope
  3. pp. 93-129
  4. DOI: 10.1353/pnm.2008.0000
  5. restricted access contents
  1. Musical Modernism in the Thought of "Mille Plateaux," and Its Twofold Politics
  2. Martin Scherzinger
  3. pp. 130-158
  4. DOI: 10.1353/pnm.2008.0009
  5. restricted access contents
  1. Preserving the Fragment: Franco Donatoni's Late Chamber Music
  2. Bradley D. Decker
  3. pp. 159-189
  4. DOI: 10.1353/pnm.2008.0012
  5. restricted access contents
  1. John Lennon's "Revolution 9"
  2. Carlton J. Wilkinson
  3. pp. 190-236
  4. DOI: 10.1353/pnm.2008.0002
  5. restricted access contents
  1. Composing DNA Music Within the Aesthetics of Chance
  2. Marc Jensen
  3. pp. 243-259
  4. DOI: 10.1353/pnm.2008.0014
  5. restricted access contents