1. Personae / Acknowledgments
  2. DOI: 10.1353/pnm.2009.0015
  3. restricted access contents
  1. Species Concepts in Biology and Perspectives on Association in Music Analysis
  2. Dora A. Hanninen
  3. pp. 5-68
  4. DOI: 10.1353/pnm.2009.0016
  5. restricted access contents
  1. A Mathematical Model for Optimal Tuning Systems
  2. Larry Polansky, Daniel Rockmore, Micah K. Johnson, Douglas Repetto, Wei Pan
  3. pp. 69-110
  4. DOI: 10.1353/pnm.2009.0012
  5. restricted access contents
  1. Gridless Beats
  2. Fernando Benadon
  3. pp. 135-164
  4. DOI: 10.1353/pnm.2009.0019
  5. restricted access contents
  1. About Some Music of Thomas Adès
  2. Elaine R. Barkin
  3. pp. 165-173
  4. DOI: 10.1353/pnm.2009.0011
  5. restricted access contents
  1. Finding Cage at Ryōan-ji Through a Re-Modelling of "Variations II"
  2. Michael Fowler
  3. pp. 174-192
  4. DOI: 10.1353/pnm.2009.0020
  5. restricted access contents
  1. Wreath Products in Transformational Music Theory
  2. Robert W. Peck
  3. pp. 193-210
  4. DOI: 10.1353/pnm.2009.0018
  5. restricted access contents
  1. Stuart Saunders Smith's "Links No. 6 (Song Interiors)": How Can I Tell what I Think Until I See What I Sing?
  2. Ron Hess
  3. pp. 211-232
  4. DOI: 10.1353/pnm.2009.0017
  5. restricted access contents
  1. Compositional Parameters: "Projection 4" and an Analytical Methodology for Morton Feldman's Graphic Works
  2. Ryan Vigil
  3. pp. 233-267
  4. DOI: 10.1353/pnm.2009.0013
  5. restricted access contents