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Table of Contents

  1. Looking Back: Lessons Learned About Tonal Music from a Post-Tonal Perspective
  2. Andrew Mead
  3. pp. 5-35
  4. DOI: https://doi.org/10.1353/pnm.2009.0009
  5. restricted access
  1. Beneath the Skin of Time: Alternative Temporalities in Grisey's "Prologue for Solo Viola"
  2. Jeffrey J. Hennessy
  3. pp. 36-58
  4. DOI: https://doi.org/10.1353/pnm.2009.0005
  5. restricted access
  1. Shades of the Studio: Electronic Influences on Ligeti's "Apparitions"
  2. Benjamin R. Levy
  3. pp. 59-87
  4. DOI: https://doi.org/10.1353/pnm.2009.0010
  5. restricted access
  1. Metric Synchronization and Long-Range Polyrhythms in Elliott Carter's Fifth String Quartet
  2. John Aylward
  3. pp. 88-99
  4. DOI: https://doi.org/10.1353/pnm.2009.0008
  5. restricted access
  1. More MOF and Mallalieu-related Rows
  2. Caleb Morgan, Michael Davis
  3. pp. 100-148
  4. DOI: https://doi.org/10.1353/pnm.2009.0002
  5. restricted access
  1. Democracy Performed—Setting the Record Straight: A Critical Response to "Performing Democracy—Bulgarian Music and Musicians in Transition" by Donna Buchanan
  2. Gregory Myers, Anna Levy
  3. pp. 149-158
  4. DOI: https://doi.org/10.1353/pnm.2009.0007
  5. restricted access
  1. George Perle: An Appreciation
  2. Dave Headlam
  3. pp. 159-195
  4. DOI: https://doi.org/10.1353/pnm.2009.0000
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  1. Wayfinding in John Luther Adams's "For Lou Harrison"
  2. Todd Tarantino
  3. pp. 196-227
  4. DOI: https://doi.org/10.1353/pnm.2009.0006
  5. restricted access
  1. Romantic Subjectivity and West German Politics in Wolfgang Rihm's "Jakob Lenz"
  2. Jessica Balik
  3. pp. 228-248
  4. DOI: https://doi.org/10.1353/pnm.2009.0003
  5. restricted access
  1. Mother Lode Issues: Shapey's Worksheet and the Late Music
  2. Christian Carey
  3. pp. 249-265
  4. DOI: https://doi.org/10.1353/pnm.2009.0004
  5. restricted access
  1. Personae / Acknowledgments
  3. DOI: https://doi.org/10.1353/pnm.2009.0001
  4. restricted access