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Table of Contents

  1. A Sonorous Image of Time-Stretching in Birtwistle's "Harrison's Clocks"
  2. Aleksandra Vojcic
  3. pp. 5-43
  4. DOI: https://doi.org/10.1353/pnm.2010.0017
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  1. Theorizing Voice in Performance: György Ligeti's "Aventures"
  2. Zeynep Bulut
  3. pp. 44-64
  4. DOI: https://doi.org/10.1353/pnm.2010.0014
  5. restricted access
  1. John Cage's Number Pieces: The Meta-Structure of Time-Brackets and the Notion of Time
  2. Alexandre Popoff
  3. pp. 65-82
  4. DOI: https://doi.org/10.1353/pnm.2010.0019
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  1. Becoming a Body Without Organs through Tuba Performance
  2. Jon Hansen
  3. pp. 83-91
  4. DOI: https://doi.org/10.1353/pnm.2010.0018
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  1. The Wilson Installations
  2. Warren Burt
  3. pp. 92-135
  4. DOI: https://doi.org/10.1353/pnm.2010.0012
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  1. Re-Complexifying the Function(s) of Notation in the Music of Brian Ferneyhough and the "New Complexity"
  2. Stuart Paul Duncan
  3. pp. 136-172
  4. DOI: https://doi.org/10.1353/pnm.2010.0015
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  1. A Slight Delay: Agency and Improvisation in the Ambient Sound World
  2. Daniel Siepmann
  3. pp. 173-199
  4. DOI: https://doi.org/10.1353/pnm.2010.0011
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  1. Following the Prophecies of Song: Schubert Lieder in Thomas Adès's "Arcadiana"
  2. Samuel Adams
  3. pp. 200-207
  4. DOI: https://doi.org/10.1353/pnm.2010.0016
  5. restricted access
  1. Interview with Oliver Schneller
  2. Oliver Schneller, Daniel Vezza
  3. pp. 208-226
  4. DOI: https://doi.org/10.1353/pnm.2010.0010
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  1. Personae / Acknowledgments
  3. DOI: https://doi.org/10.1353/pnm.2010.0013
  4. restricted access