+ MUSE Alert

In this Issue

Table of Contents

  1. (Un)Popular Avant-Gardes: Underground Popular Music and the Avant-Garde
  2. Stephen Graham
  3. pp. 5-20
  4. DOI: https://doi.org/10.1353/pnm.2010.0004
  5. restricted access
  1. Structural Layers in Alfred Schnittke's Concerto Grosso No. 3
  2. Tim Sullivan
  3. pp. 21-46
  4. DOI: https://doi.org/10.1353/pnm.2010.0003
  5. restricted access
  1. A Computational Model for Rule-Based Microtonal Music Theories and Composition
  2. Torsten Anders, Eduardo R. Miranda
  3. pp. 47-77
  4. DOI: https://doi.org/10.1353/pnm.2010.0009
  5. restricted access
  1. Lacan, Zemlinsky, and "Der Zwerg": Mirror, Metaphor, and Fantasy
  2. Kenneth M. Smith
  3. pp. 78-113
  4. DOI: https://doi.org/10.1353/pnm.2010.0007
  5. restricted access
  1. Brian Ferneyhough and the "Avant-Garde Experience": Benjaminian Tropes in "Funérailles"
  2. Peter Rosser
  3. pp. 114-151
  4. DOI: https://doi.org/10.1353/pnm.2010.0002
  5. restricted access
  1. On Listening
  2. Tim Hodgkinson
  3. pp. 152-179
  4. DOI: https://doi.org/10.1353/pnm.2010.0005
  5. restricted access
  1. Process as Means and Ends in Minimalist and Postminimalist Music
  2. Galen H. Brown
  3. pp. 180-192
  4. DOI: https://doi.org/10.1353/pnm.2010.0000
  5. restricted access
  1. Messiaen's "Gagaku"
  2. Luigi Antonio Irlandini
  3. pp. 193-207
  4. DOI: https://doi.org/10.1353/pnm.2010.0001
  5. restricted access
  1. Boulez and the Spectralists between Descartes and Rameau: Who Said What about Whom?
  2. Jonathan Goldman
  3. pp. 208-232
  4. DOI: https://doi.org/10.1353/pnm.2010.0006
  5. restricted access
  1. Personae
  3. DOI: https://doi.org/10.1353/pnm.2010.0008
  4. restricted access