+ MUSE Alert

In this Issue

Table of Contents

  1. From the Editor
  2. Siyuan Liu
  3. pp. v-vii
  4. DOI: https://doi.org/10.1353/atj.2021.0001
  5. restricted access

In Memoriam

  1. Leonard Cabell Pronko: An Appreciation
  2. Carol Fisher Sorgenfrei
  3. pp. 1-15
  4. DOI: https://doi.org/10.1353/atj.2021.0000
  5. restricted access

Special Section: Contemporary Japanese Theatre

  1. Everybody Came: Matsumoto Yūkichi's Company Ishinha
  2. M. Cody Poulton
  3. pp. 16-34
  4. DOI: https://doi.org/10.1353/atj.2021.0002
  5. restricted access
  1. Hirata Oriza on the Rise and Fall of Japanese Literature … and Theatre Too
  2. M. Cody Poulton
  3. pp. 35-53
  4. DOI: https://doi.org/10.1353/atj.2021.0003
  5. restricted access
  1. Transformations Existential and Aesthetic: Okada Toshiki and His Post-3/11 Work
  2. John K. Gillespie
  3. pp. 54-87
  4. DOI: https://doi.org/10.1353/atj.2021.0004
  5. restricted access
  1. Translation: Time's Journey Through a Room by Toshiki Okada
  2. Aya Ogawa
  3. pp. 88-100
  4. DOI: https://doi.org/10.1353/atj.2021.0005
  5. restricted access
  1. Glacier or Iceberg? Spatial, Temporal, and Contextual Distance in an International Performance of Okada Toshiki's Time's Journey Through a Room
  2. Justine Wiesinger
  3. pp. 101-125
  4. DOI: https://doi.org/10.1353/atj.2021.0006
  5. restricted access
  1. Review essay: LollaPalooka: Ashita no Ma-Joe: Rocky Macbeth, Written and Directed by Murai Yu. Performed in Japanese by Murai's company Kaimaku Pennant Race, with surtitles. Five Performances: 15–18 May 2019, at Japan Society in New York City
  2. John K. Gillespie
  3. pp. 126-138
  4. DOI: https://doi.org/10.1353/atj.2021.0007
  5. restricted access

Translation

  1. DTC Ki Dhandhli (The Corrupt Trappings of the Delhi Transport Corporation): A Nukkad Natak (Street Play) by the Jana Natya Manch (JANAM)
  2. Arnab Banerji
  3. pp. 139-160
  4. DOI: https://doi.org/10.1353/atj.2021.0008
  5. restricted access

Articles

  1. Revival of Cambodia's "Non-popular" Theatre: A New Focus on Lakhorn Niyeay
  2. Catherine Diamond
  3. pp. 161-190
  4. DOI: https://doi.org/10.1353/atj.2021.0009
  5. restricted access
  1. Travelling with Chinese Theatre-Troupes: A "Performative Turn" in Sino-Southeast Asian Interactions
  2. Beiyu Zhang
  3. pp. 191-217
  4. DOI: https://doi.org/10.1353/atj.2021.0010
  5. restricted access
  1. The Silent Noras: Women of the First Chinese Performance of A Doll's House
  2. Liyang Xia
  3. pp. 218-244
  4. DOI: https://doi.org/10.1353/atj.2021.0011
  5. restricted access
  1. Juren (Men and Women of Theatre) in the Confucian Temple: Technics, Prompts, and Plays to Serve the Nation, 1934–1945
  2. Man He
  3. pp. 245-274
  4. DOI: https://doi.org/10.1353/atj.2021.0012
  5. restricted access
  1. Documentary in Motion: Dramaturgy of the Corporeal in Chinese Dance Artist Wen Hui's Works
  2. Chiayi Seetoo
  3. pp. 275-305
  4. DOI: https://doi.org/10.1353/atj.2021.0013
  5. restricted access
  1. A New Approach to Inter-Korean Issues by Contemporary South Korean Theatre: With a Focus on the Division Trilogy by Creative VaQi
  2. Jung-ok Jun, Jisoo Nam
  3. pp. 306-328
  4. DOI: https://doi.org/10.1353/atj.2021.0014
  5. restricted access

Book Reviews

Transnational

  1. Eugenio Barba. The Moon Rises from the Ganges: My Journey Through Asian Acting Techniques ed. by Lluis Masgrau, and: The Five Continents of Theatre: Facts and Legends About the Material Culture of the Actor by Eugenio Barba and Nicola Savarese (review)
  2. Jonah Salz
  3. pp. 329-333
  4. DOI: https://doi.org/10.1353/atj.2021.0015
  5. restricted access
  1. The Use of Asian Theatre for Modern Western Theatre: The Displaced Mirror by Min Tian (review)
  2. John K. Gillespie
  3. pp. 334-338
  4. DOI: https://doi.org/10.1353/atj.2021.0016
  5. restricted access

China

  1. Mulan: Five Versions of a Classic Chinese Legend, with Related Texts ed. by Shiamin Kwa and Wilt L. Idema (review)
  2. Yining Lin
  3. pp. 338-341
  4. DOI: https://doi.org/10.1353/atj.2021.0017
  5. restricted access
  1. Resisting Spirits: Drama Reform and Cultural Transformation in the People's Republic of China by Maggie Greene (review)
  2. Huihui Huang
  3. pp. 341-343
  4. DOI: https://doi.org/10.1353/atj.2021.0018
  5. restricted access

Taiwan

  1. Puppets, Gods, and Brands: Theorizing the Age of Animation from Taiwan by Teri J. Silvio (review)
  2. Claudia Orenstein
  3. pp. 344-347
  4. DOI: https://doi.org/10.1353/atj.2021.0019
  5. restricted access

Japan

  1. Portrait of Ōno Yoshito by Yomota Inuhiko (review)
  2. Colleen Lanki
  3. pp. 347-350
  4. DOI: https://doi.org/10.1353/atj.2021.0020
  5. restricted access

India

  1. Tagore and Nationalism ed. by K. L. Tuteja and Kaustav Chakraborty (review)
  2. Sukanya Chakrabarti
  3. pp. 351-355
  4. DOI: https://doi.org/10.1353/atj.2021.0021
  5. restricted access

Southeast Asia

  1. Mak Yong: World Heritage Theatre by Ghulam-Sarwar Yousof, and: Mak Yong through the Ages: Kelantan's Traditional Dance Theatre by Ghulam-Sawar Yousof (review)
  2. Kathy Foley
  3. pp. 355-360
  4. DOI: https://doi.org/10.1353/atj.2021.0022
  5. restricted access
  1. New Indonesian Plays ed. by Cheryl Robson (review)
  2. Y. Joned Suryatmoko Ndaruhadi
  3. pp. 360-363
  4. DOI: https://doi.org/10.1353/atj.2021.0023
  5. restricted access

Books Received

  1. Books Received
  3. pp. 364-366
  4. DOI: https://doi.org/10.1353/atj.2021.0024
  5. restricted access