1. From the Editor
  2. Siyuan Liu
  3. pp. v-vii
  4. DOI: 10.1353/atj.2021.0001
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  1. Leonard Cabell Pronko: An Appreciation
  2. Carol Fisher Sorgenfrei
  3. pp. 1-15
  4. DOI: 10.1353/atj.2021.0000
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  1. Everybody Came: Matsumoto Yūkichi's Company Ishinha
  2. M. Cody Poulton
  3. pp. 16-34
  4. DOI: 10.1353/atj.2021.0002
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  1. Hirata Oriza on the Rise and Fall of Japanese Literature … and Theatre Too
  2. M. Cody Poulton
  3. pp. 35-53
  4. DOI: 10.1353/atj.2021.0003
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  1. Transformations Existential and Aesthetic: Okada Toshiki and His Post-3/11 Work
  2. John K. Gillespie
  3. pp. 54-87
  4. DOI: 10.1353/atj.2021.0004
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  1. Translation: Time's Journey Through a Room by Toshiki Okada
  2. Aya Ogawa
  3. pp. 88-100
  4. DOI: 10.1353/atj.2021.0005
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  1. Revival of Cambodia's "Non-popular" Theatre: A New Focus on Lakhorn Niyeay
  2. Catherine Diamond
  3. pp. 161-190
  4. DOI: 10.1353/atj.2021.0009
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  1. Travelling with Chinese Theatre-Troupes: A "Performative Turn" in Sino-Southeast Asian Interactions
  2. Beiyu Zhang
  3. pp. 191-217
  4. DOI: 10.1353/atj.2021.0010
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  1. The Silent Noras: Women of the First Chinese Performance of A Doll's House
  2. Liyang Xia
  3. pp. 218-244
  4. DOI: 10.1353/atj.2021.0011
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  1. Juren (Men and Women of Theatre) in the Confucian Temple: Technics, Prompts, and Plays to Serve the Nation, 1934–1945
  2. Man He
  3. pp. 245-274
  4. DOI: 10.1353/atj.2021.0012
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  1. Documentary in Motion: Dramaturgy of the Corporeal in Chinese Dance Artist Wen Hui's Works
  2. Chiayi Seetoo
  3. pp. 275-305
  4. DOI: 10.1353/atj.2021.0013
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  1. The Use of Asian Theatre for Modern Western Theatre: The Displaced Mirror by Min Tian (review)
  2. John K. Gillespie
  3. pp. 334-338
  4. DOI: 10.1353/atj.2021.0016
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  1. Mulan: Five Versions of a Classic Chinese Legend, with Related Texts ed. by Shiamin Kwa and Wilt L. Idema (review)
  2. Yining Lin
  3. pp. 338-341
  4. DOI: 10.1353/atj.2021.0017
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  1. Resisting Spirits: Drama Reform and Cultural Transformation in the People's Republic of China by Maggie Greene (review)
  2. Huihui Huang
  3. pp. 341-343
  4. DOI: 10.1353/atj.2021.0018
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  1. Puppets, Gods, and Brands: Theorizing the Age of Animation from Taiwan by Teri J. Silvio (review)
  2. Claudia Orenstein
  3. pp. 344-347
  4. DOI: 10.1353/atj.2021.0019
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  1. Portrait of Ōno Yoshito by Yomota Inuhiko (review)
  2. Colleen Lanki
  3. pp. 347-350
  4. DOI: 10.1353/atj.2021.0020
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  1. Tagore and Nationalism ed. by K. L. Tuteja and Kaustav Chakraborty (review)
  2. Sukanya Chakrabarti
  3. pp. 351-355
  4. DOI: 10.1353/atj.2021.0021
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  1. New Indonesian Plays ed. by Cheryl Robson (review)
  2. Y. Joned Suryatmoko Ndaruhadi
  3. pp. 360-363
  4. DOI: 10.1353/atj.2021.0023
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  1. Books Received
  2. pp. 364-366
  3. DOI: 10.1353/atj.2021.0024
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