1. On the Matter of African Cinema—Some Introductory Remarks
  2. Gaston J.M. Kaboré, Michael T. Martin
  3. pp. 1-8
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  1. Colonial Cinema
  2. Roy Armes
  3. pp. 10-28
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  1. The Colonialist Regime of Representation, 1945–1960
  2. James E. Genova
  3. pp. 29-60
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  1. Politics of Cultural Conversion in Colonialist African Cinema
  2. Femi Okiremuete Shaka
  3. pp. 61-90
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  1. The African Bioscope—Movie-House Culture in British Colonial Africa
  2. James Burns
  3. pp. 91-106
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  1. From the Inside: The Colonial Film Unit and the Beginning of the End
  2. Tom Rice
  3. pp. 107-128
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  1. The Independence Generation: Film Culture and the Anti-Colonial Struggle in the 1950s
  2. Odile Goerg
  3. pp. 129-154
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  1. What Is Cinema for Us?
  2. Med Hondo
  3. pp. 156-160
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  1. A Cinema Fighting for its Liberation
  2. Férid Boughedir
  3. pp. 161-167
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  1. Where Are the African Women Filmmakers?
  2. Haile Gerima
  3. pp. 168-175
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  1. The FEPACI and Its Artistic Legacies
  2. Sada Niang
  3. pp. 176-202
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  1. The Six Decades of African Film
  2. Olivier Barlet
  3. pp. 203-219
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  1. Africa, The Last Cinema
  2. Clyde Taylor
  3. pp. 220-235
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  1. The Pan-African Cinema Movement: Achievements, Misfortunes, and Failures (1969–2020)
  2. Férid Boughedir
  3. pp. 236-256
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  1. African Cinema(s): Definitions, Identity, and Theoretical Considerations
  2. Alexie Tcheuyap
  3. pp. 258-279
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  1. Theorizing African Cinema: Contemporary African Cinematic Discourse and Its Discontents
  2. Esiaba Irobi
  3. pp. 280-302
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  1. The Theoretical Construction of African Cinema
  2. Stephen A. Zacks
  3. pp. 303-316
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  1. Towards a Critical Theory of Third World Films
  2. Teshome H. Gabriel
  3. pp. 317-337
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  1. Africans Filming Africa: Questioning Theories of an Authentic African Cinema
  2. David Murphy
  3. pp. 338-357
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  1. Tradition/Modernity and the Discourse of African Cinema
  2. Jude Akudinobi
  3. pp. 358-371
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  1. Towards a Theory of Orality in African Cinema
  2. Keyan G. Tomaselli, Arnold Shepperson, Maureen Eke
  3. pp. 372-392
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  1. Film and the Problem of Languages in Africa
  2. Paulin Soumanou Vieyra
  3. pp. 393-398
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  1. In Defense of African Film Studies
  2. Boukary Sawadogo
  3. pp. 399-404
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  1. Dossier 1: Key Dates in the History of African Cinema
  2. Olivier Barlet, Claude Forest
  3. pp. 406-447
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  1. Dossier 2: Ousmane Sembène
  2. Samba Gadjigo, Sada Niang
  3. pp. 449-450
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  1. Sembène's Legacy to FESPACO
  2. Sada Niang, Samba Gadjigo
  3. pp. 451-458
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  1. Vigil for a centennial
  2. Ousmane Sembène
  3. p. 459
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  1. Cinema as Evening School
  2. Ousmane Sembène
  3. pp. 460-462
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  1. Statement at Ouagadougou (1979)
  2. Ousmane Sembène
  3. pp. 463-478
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  1. Art for Man's Sake: A Tribute to Ousmane Sembène
  2. Samba Gadjigo
  3. pp. 479-484
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  1. On "Mediated Solidarity": Reading Ousmane Sembène in Sembène!
  2. Michael T. Martin
  3. pp. 485-522
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  1. Ousmane Sembène: An Annotated Gallery
  2. Cole Nelson, Eileen Julien
  3. pp. 523-532
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  1. Dossier 3: African Women in Cinema
  2. Beti Ellerson
  3. pp. 533-535
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  1. African Women Professionals in Cinema: Manifestos, Communiqués, Declarations, Statements, Resolutions
  2. Beti Ellerson
  3. pp. 536-590
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  1. The Taking of the Cinemateca Brasileira
  2. Darlene J. Sadlier
  3. pp. 591-608
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