1. Editorial
  2. Emily Paterson-Morgan
  3. pp. v-vi
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  1. Essay Contributors
  2. p. vii
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  1. ‘O Plato! Plato!’: Don Juan versus the Philosophers
  2. William Davis
  3. pp. 1-13
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  1. Antithetical Minds: Eliot’s Byron and Byron’s Burns
  2. Jake Phipps
  3. pp. 15-28
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  1. ‘Blustering, bungling, trimming’: Byron, Hobhouse, and the Politics of Don Juan Canto I
  2. John Owen Havard
  3. pp. 29-41
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  1. Don Juan, the Law and Byronic Self-Defence
  2. Fiona Milne
  3. pp. 43-54
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  1. Going Beyond the Lyrical: A.E. Stallings’s Engagement with Don Juan
  2. Gregory Dowling
  3. pp. 55-67
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  1. Dangerous to Show: Byron and His Portraits by Geoffrey Bond and Christine Kenyon Jones (review)
  2. Susan J. Wolfson
  3. pp. 69-74
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  1. Greece: Biography of a Modern Nation by Roderick Beaton (review)
  2. Stephen Minta
  3. pp. 74-78
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  1. Byron: Reality, Fiction and Madness ed. by Mirosława Modrzewska and Maria Fengler (review)
  2. Jonathan Gross
  3. pp. 78-81
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  1. Byron and Italy ed. by Alan Rawes and Diego Saglia (review)
  2. Peter Francev
  3. pp. 81-84
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  1. Byron in Context ed. by Clara Tuite (review)
  2. Ioannes P. Chountis
  3. pp. 85-86
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  1. The Lost Romantics: Forgotten Poets, Neglected Works and One-hit Wonders ed. by Norbert Lennartz (review)
  2. Alex Watson
  3. pp. 86-88
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  1. Romanticism and the Letter ed. by Madeleine Callaghan and Anthony Howe (review)
  2. Amy Wilcockson
  3. pp. 89-91
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  1. European Literatures in Britain, 1815–1832: Romantic Translations by Diego Saglia (review)
  2. Alan Rawes
  3. pp. 91-93
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  1. ‘Byron in 1821: A Retrospective’ MLA Annual Convention 10 January 2021
  2. Kaila Rose
  3. pp. 95-98
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  1. The Byron Society
  2. Emily Paterson-Morgan
  3. pp. 99-100
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  1. Italian Byron Society
  2. Gregory Dowling
  3. p. 100
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  1. The International Byron Societies Officers and Addresses
  2. pp. 101-104
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