1. Essays from the English Institute 2019: Abstraction
  2. David Kurnick, Paul K. Saint-Amour
  3. pp. 281-287
  4. DOI: 10.1353/elh.2021.0019
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  1. Collateral Objects: Natural Abstraction in Wordsworth and Rankine
  2. Daniel Stout
  3. pp. 289-313
  4. DOI: 10.1353/elh.2021.0013
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  1. Bent Abstraction
  2. Gordon Teskey
  3. pp. 315-341
  4. DOI: 10.1353/elh.2021.0014
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  1. Anything
  2. Julia Jarcho
  3. pp. 343-359
  4. DOI: 10.1353/elh.2021.0016
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  1. Spec Acts: Reading form in Recurrent Neural Networks
  2. Matthew Kirschenbaum
  3. pp. 361-386
  4. DOI: 10.1353/elh.2021.0010
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  1. Abstraction, Intuition, Poetry
  2. Christopher Nealon
  3. pp. 387-420
  4. DOI: 10.1353/elh.2021.0011
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  1. Invisible, Inc.
  2. Leela Gandhi
  3. pp. 421-442
  4. DOI: 10.1353/elh.2021.0012
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  1. "Fairyes or Divels": Why is Oberon in Lust's Dominion?
  2. Andy Crow
  3. pp. 443-463
  4. DOI: 10.1353/elh.2021.0015
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  1. Tortured Logic: Answering to No One in Shelley's The Cenci
  2. Julie Camarda
  3. pp. 465-496
  4. DOI: 10.1353/elh.2021.0018
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  1. Performance, Embodiment, and Nervous Sympathy in Maria Edgeworth's Harrington
  2. Christopher Bundock
  3. pp. 497-524
  4. DOI: 10.1353/elh.2021.0017
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  1. Learning to Read Ecologically: Disability, Animality, and Metaphor in Toni Morrison's A Mercy
  2. Liz Bowen
  3. pp. 525-550
  4. DOI: 10.1353/elh.2021.0020
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