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In this Issue

Table of Contents

  1. Introduction
  2. Rebecca Fülöp
  3. pp. 1-4
  4. DOI: https://doi.org/10.1353/bach.2019.0014
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  1. Status, Standards, and Stereotypes: J. S. Bach’s Presence in the Silent Era
  2. James M. Doering
  3. pp. 5-31
  4. DOI: https://doi.org/10.1353/bach.2019.0013
  5. restricted access
  1. From the Concert Hall to the Console: Three 8-Bit Translations of the Toccata and Fugue in D Minor
  2. Dana Plank
  3. pp. 32-62
  4. DOI: https://doi.org/10.1353/bach.2019.0015
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  1. First Mathematics, Then Music: J. S. Bach, Glenn Gould, and the Evolutionary Supergenius in The Outer Limits’ “The Sixth Finger” (1963)
  2. Reba A. Wissner
  3. pp. 63-80
  4. DOI: https://doi.org/10.1353/bach.2019.0018
  5. restricted access
  1. Terminal Bach: Technology, Media, and the Goldberg Variations in Postwar American Culture
  2. Kristi Brown-Montesano
  3. pp. 81-117
  4. DOI: https://doi.org/10.1353/bach.2019.0010
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  1. Bach-Facetten. Essays, Studien, Miszellen. Mit einem Geleitwort von Peter Wollny by Hans Joachim Schulze (review)
  2. Markus Rathey
  3. pp. 118-122
  4. DOI: https://doi.org/10.1353/bach.2019.0016
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  1. Ferruccio Busoni and His Legacy by Erinn E. Knyt (review)
  2. Marc-André Roberge
  3. pp. 123-129
  4. DOI: https://doi.org/10.1353/bach.2019.0017
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  1. Contributors to this Volume
  3. pp. 130-132
  4. DOI: https://doi.org/10.1353/bach.2019.0011
  5. restricted access
  1. Corrigendum
  3. p. 133
  4. DOI: https://doi.org/10.1353/bach.2019.0012
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