1. Editor’s Introduction
  2. Jeraldine R. Kraver
  3. pp. vii-viii
  4. DOI: 10.1353/cea.2021.0000
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  1. Looking Backwards: “Mend,” as in to Repair or Make Whole
  2. Jeraldine R. Kraver
  3. p. 1
  4. DOI: 10.1353/cea.2021.0001
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  1. The “Persona” in Frost’s “The Mending Wall”: Mended or Amended?
  2. James K. Bowen
  3. pp. 2-3
  4. DOI: 10.1353/cea.2021.0002
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  1. Per Petterson’s Out Stealing Horses: On World Literature and the Logic of the Beneficiary
  2. Carol Dell’amico, Isabella Kasselstrand
  3. pp. 4-18
  4. DOI: 10.1353/cea.2021.0003
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  1. The Politics of Form in Marge Piercy’s “The Secretary Chant”: Is Literary Criticism Still Possible at the Present Time?
  2. Nils Clausson
  3. pp. 19-38
  4. DOI: 10.1353/cea.2021.0004
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  1. The World We Find: A Photo Essay
  2. Peter Fredlake
  3. pp. 39-43
  4. DOI: 10.1353/cea.2021.0005
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  1. “The pervert need not die”: Queering Marriage and Motherhood in Maggie Nelson’s The Argonauts
  2. Justin Holliday
  3. pp. 44-50
  4. DOI: 10.1353/cea.2021.0006
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  1. Making a World of Her Own: Affect and Womanhood in Virginia Woolf’s Mrs Dalloway
  2. Celiese Lypka
  3. pp. 51-68
  4. DOI: 10.1353/cea.2021.0007
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  1. Jim Crow Onstage: Three Black Actresses in Alice Childress’s Plays
  2. Yi-Chin Shih
  3. pp. 69-86
  4. DOI: 10.1353/cea.2021.0008
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  1. Rain, Contemplation, and Social Responsibility: Merton’s Challenge to Us
  2. Monica Weis SSJ
  3. pp. 87-93
  4. DOI: 10.1353/cea.2021.0009
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  1. Video Game Design as a Multimodal Heuristic: Turning the Tide of Composition Studies
  2. Candice Yacono
  3. pp. 94-101
  4. DOI: 10.1353/cea.2021.0010
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  1. Contributors
  2. pp. 102-103
  3. DOI: 10.1353/cea.2021.0011
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