1. Zombies as Temporal Critique: Sudor frío (2010) and Generations of Youth in Postdictatorship Argentina
  2. Charles St-Georges
  3. pp. 1-23
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  1. “Golpe, não!”: Twenty-First-Century Brazilian Songs of Protest
  2. Ligia Bezerra
  3. pp. 24-39
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  1. Cuerpo, memoria y empatía: Procesos de creación colectiva en torno a la figura de Violeta Parra
  2. Mª Paz Brozas y Miguel Vicente
  3. pp. 40-60
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  1. Ex-voto: Folk, Outsider, Transnational—Debating Definitions
  2. Lorella Di Gregorio
  3. pp. 61-83
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  1. Gendered Figure Lighting, Artifice, and Realism in Rosaura a las diez
  2. Matt Losada
  3. pp. 84-103
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  1. Víctor Gaviria’s Mujer del animal and the Banality of Violence against Women
  2. Aldona Bialowas Pobutsky
  3. pp. 104-119
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  1. Contigo en la distancia: Colombia, Galicia y el negocio narco entre la realidad y la ficción; entre el humor y el dramatismo
  2. Sabrina S. Laroussi
  3. pp. 120-133
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  1. La realidad que triunfa sobre la forma: La novela negra en Mario Mendoza, Lady Masacre
  2. Adriana Sara Jastrzębska
  3. pp. 134-150
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  1. White Subjectivity and Black Nationalism in José Muñoz and Carlos Sampayo’s Alack Sinner Comic “Vietblues” (1975)
  2. Christopher Conway
  3. pp. 151-163
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  1. ¡Destape! Sex, Democracy, and Freedom in Post dictatorial Argentina by Natalia Milanesio (review)
  2. María Cecilia Saenz-Roby
  3. pp. 164-166
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  1. Hollywood in Havana: US Cinema and Revolutionary Nationalism in Cuba before 1959 by Megan Feeney (review)
  2. Matthew Carey Greenhalgh
  3. pp. 167-168
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  1. Comics and Memory in Latin America ed. by Jorge Catalá Carrasco, Paulo Drinot and James Scorer (review)
  2. George Cole
  3. pp. 169-171
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  1. Mexican Costumbrismo: Race, Society, and Identity in Nineteenth-Century Art by Mey-Yen Moriuchi (review)
  2. Nathan J. Gordon
  3. pp. 171-173
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  1. The Heart of the Mission: Latino Arts and Politics in San Francisco by Cary Cordova (review)
  2. Allison L. Glover
  3. pp. 175-177
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  1. Thinking about Music from Latin America: Issues and Questions ed. by Juan Pablo González (review)
  2. Christine Fernández
  3. pp. 177-179
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