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In this Issue

Table of Contents

  1. Introduction: Migration in Twenty-First-Century Documentary Comics
  2. Benjamin Bigelow, Rüdiger Singer
  3. pp. 1-17
  4. DOI: https://doi.org/10.1353/ink.2021.0000
  5. restricted access
  1. Presenting Absence: Migration and Dislocation in Lene Ask's Dear Rikard (2014)
  2. Benjamin Bigelow
  3. pp. 18-38
  4. DOI: https://doi.org/10.1353/ink.2021.0001
  5. restricted access
  1. Vis-à-Vis: Interview Encounters in Four Recent Comic Reportages
  2. Julia Ludewig
  3. pp. 39-60
  4. DOI: https://doi.org/10.1353/ink.2021.0002
  5. restricted access
  1. Beyond Race: The Monkey King and Creative Polyculturalism in Gene Luen Yang's American Born Chinese
  2. Ning Ma
  3. pp. 61-78
  4. DOI: https://doi.org/10.1353/ink.2021.0003
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  1. Tying Up Loose Ends: The Fabric of Panel Borders in Kate Evans' Threads
  2. Elizabeth "Biz" Nijdam
  3. pp. 79-99
  4. DOI: https://doi.org/10.1353/ink.2021.0004
  5. restricted access
  1. The Content of Our Caricature: African American Comic Art and Political Belonging by Rebecca Wanzo (review)
  2. Maite Urcaregui
  3. pp. 119-122
  4. DOI: https://doi.org/10.1353/ink.2021.0006
  5. restricted access
  1. Uncanny Bodies: Superhero Comics and Disability ed. by Scott T. Smith and José Alaniz (review)
  2. Jenny Blenk
  3. pp. 122-126
  4. DOI: https://doi.org/10.1353/ink.2021.0007
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  1. Monstrous Women in Comics ed. by Samantha Langsdale and Elizabeth Rae Coody (review)
  2. Candida Rifkind
  3. pp. 126-130
  4. DOI: https://doi.org/10.1353/ink.2021.0008
  5. restricted access
  1. Comics Studies: A Guidebook ed. by Charles Hatfield and Bart Beaty (review)
  2. Adrienne Resha
  3. pp. 131-132
  4. DOI: https://doi.org/10.1353/ink.2021.0009
  5. restricted access
  1. Contributors
  2. pp. 133-134
  3. DOI: https://doi.org/10.1353/ink.2021.0010
  4. restricted access