1. "To Make an Example of Myself": The Problems of an Instructive Realism in Gottfried Keller's Der grüne Heinrich
  2. Michael Lipkin
  3. pp. 255-273
  4. DOI: 10.1353/gsr.2021.0038
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  1. The Provocation of Art that is Seen and Not Read: Herwarth Walden's Appropriation of the Tauentzien Girls
  2. Douglas Brent McBride
  3. pp. 275-292
  4. DOI: 10.1353/gsr.2021.0039
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  1. Universal Language with a German Accent: Conrad Veidt in Silent Hollywood
  2. Sara Friedman
  3. pp. 293-312
  4. DOI: 10.1353/gsr.2021.0040
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  1. Sex, Gender, and the Male Gaze in Arthur Schnitzler's Traumnovelle and Stanley Kubrick's Eyes Wide Shut
  2. Eva B. Revesz
  3. pp. 313-333
  4. DOI: 10.1353/gsr.2021.0041
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  1. Germany, A Nation in Its Time: Before, During and After Nationalism, 1500–2000 by Helmut Walser Smith (review)
  2. Peter Thaler
  3. pp. 397-398
  4. DOI: 10.1353/gsr.2021.0045
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  1. Secularism and Hermeneutics by Yael Almog (review)
  2. Brandon Bloch
  3. pp. 401-403
  4. DOI: 10.1353/gsr.2021.0047
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  1. The Geological Unconscious: German Literature and the Mineral Imaginary by Jason Groves (review)
  2. Jason Ciaccio
  3. pp. 403-405
  4. DOI: 10.1353/gsr.2021.0048
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  1. Sex Between Body and Mind: Psychoanalysis and Sexology in the German-Speaking World, 1890s–1930s by Katie Sutton (review)
  2. Andreas Killen
  3. pp. 407-409
  4. DOI: 10.1353/gsr.2021.0050
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  1. Karl Kraus and the Discourse of Modernity by Ari Linden (review)
  2. William Mahan
  3. pp. 409-411
  4. DOI: 10.1353/gsr.2021.0051
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  1. Wireless Dada: Telegraphic Poetics in the Avant-Garde by Kurt Beals (review)
  2. Thomas O. Haakenson
  3. pp. 411-413
  4. DOI: 10.1353/gsr.2021.0052
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  1. A Different Order of Difficulty: Literature after Wittgenstein by Karen Zumhagen-Yekplé (review)
  2. Michael McGillen
  3. pp. 414-416
  4. DOI: 10.1353/gsr.2021.0053
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  1. Kanon im Exil. Lektüren deutsch-jüdischer Emigranten in Palästina/Israel by Caroline Jessen (review)
  2. Jan Kühne
  3. pp. 416-419
  4. DOI: 10.1353/gsr.2021.0054
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  1. A Critical History of German Film ed. by Stephen Brockmann (review)
  2. Anjeana K. Hans
  3. pp. 419-421
  4. DOI: 10.1353/gsr.2021.0055
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  1. The Films of Konrad Wolf: Archive of the Revolution by Larson Powell (review)
  2. Stephen Brockmann
  3. pp. 421-422
  4. DOI: 10.1353/gsr.2021.0056
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  1. A Dramatic Reinvention. German Television and Moral Renewal after National Socialism, 1956–1970 by Stewart Anderson (review)
  2. Larson Powell
  3. pp. 423-424
  4. DOI: 10.1353/gsr.2021.0057
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  1. Comrades in Arms: Military Masculinities in East German Culture by Tom Smith (review)
  2. Kyle Frackman
  3. pp. 425-426
  4. DOI: 10.1353/gsr.2021.0058
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  1. Vor Achtundsechzig. Der Kalte Krieg und die Neue Linke in der Bundesrepublik und in den USA by Michael Frey (review)
  2. Rory Hanna
  3. pp. 427-429
  4. DOI: 10.1353/gsr.2021.0059
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  1. Student Revolt in 1968: France, Italy and West Germany by Ben Mercer (review)
  2. Alexander Sedlmaier
  3. pp. 429-431
  4. DOI: 10.1353/gsr.2021.0060
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  1. Generation, Gender and Identity in German-Jewish Literature after 1989 by Daphne Maria Seemann (review)
  2. Jennifer M. Hoyer
  3. pp. 431-433
  4. DOI: 10.1353/gsr.2021.0061
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  1. Die Filme der Jessica Hausner. Referenzen, Kontexte, Muster by Sabrina Gärtner (review)
  2. Marco Abel
  3. pp. 433-436
  4. DOI: 10.1353/gsr.2021.0062
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  1. Soundtracking Germany: Popular Music and National Identity by Melanie Schiller (review)
  2. Sean Nye
  3. pp. 436-438
  4. DOI: 10.1353/gsr.2021.0063
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  1. Postcinematic Vision: The Coevolution of Moving-Image Media and the Spectator by Roger F. Cook (review)
  2. Barbara Mennel
  3. pp. 438-440
  4. DOI: 10.1353/gsr.2021.0064
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  1. Berlin Rules: Europe and the German Way by Paul Lever (review)
  2. Randall E. Newnham
  3. pp. 440-442
  4. DOI: 10.1353/gsr.2021.0065
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  1. Contributors
  2. p. 443
  3. DOI: 10.1353/gsr.2021.0066
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