1. A Note from the Editors
  2. David A. Brewer, Crystal B. Lake
  3. pp. ix-x
  4. DOI: 10.1353/sec.2021.0000
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  1. Genesis: Donald J. Greene and the Founding of the American Society for Eighteenth-Century Studies
  2. Howard D. Weinbrot
  3. pp. 3-11
  4. DOI: 10.1353/sec.2021.0001
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  1. Women in the Archives
  2. Felicity A. Nussbaum
  3. pp. 13-17
  4. DOI: 10.1353/sec.2021.0002
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  1. 50 Years of Women at ASECS
  2. Heather McPherson
  3. pp. 19-21
  4. DOI: 10.1353/sec.2021.0003
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  1. Scholarship from the Periphery: An Israeli Perspective
  2. Jessica Zimble
  3. pp. 31-35
  4. DOI: 10.1353/sec.2021.0005
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  1. ASECS beyond Borders
  2. Adam Schoene
  3. pp. 37-40
  4. DOI: 10.1353/sec.2021.0006
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  1. Twenty-First-Century Salon/Salotto Culture for ASECS after 50
  2. Rebecca Messbarger
  3. pp. 41-46
  4. DOI: 10.1353/sec.2021.0007
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  1. Closer to Home: Towards a Local Eighteenth Century
  2. Morgan Vanek
  3. pp. 47-55
  4. DOI: 10.1353/sec.2021.0008
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  1. Ambitions, Modest and Otherwise of Two Parisian Painters: Marie-Anne Loir and Catherine Lusurier
  2. Melissa Hyde
  3. pp. 59-97
  4. DOI: 10.1353/sec.2021.0009
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  1. Minette's Worlds: Theater and Revolution in Saint-Domingue
  2. Laurent Dubois
  3. pp. 101-118
  4. DOI: 10.1353/sec.2021.0010
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  1. Introduction: Consuming Foreign Music and Theater in Eighteenth-Century Britain
  2. Alison Desimone, Amy Dunagin
  3. pp. 121-125
  4. DOI: 10.1353/sec.2021.0011
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  1. Opera, War, and the Politics of Effeminacy under Queen Anne
  2. Amy Dunagin
  3. pp. 127-139
  4. DOI: 10.1353/sec.2021.0012
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  1. From Royalty to Riots: Nation and Class in the Reception of French Musical Theater in London
  2. Erica Levenson
  3. pp. 141-152
  4. DOI: 10.1353/sec.2021.0013
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  1. "African" Songs and Women's Abolitionism in the Home, 1787–1807
  2. Julia Hamilton
  3. pp. 153-168
  4. DOI: 10.1353/sec.2021.0014
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  1. Manuscript Notations and Cultural Memory
  2. Michael Edson
  3. pp. 171-186
  4. DOI: 10.1353/sec.2021.0015
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  1. Henry Fielding's Theatrical Reminiscences: Another Look at Sophia Western as Jenny Cameron
  2. Anaclara Castro-Santana
  3. pp. 187-212
  4. DOI: 10.1353/sec.2021.0016
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  1. Introduction: Teaching Tough Texts
  2. Anne Greenfield
  3. pp. 215-216
  4. DOI: 10.1353/sec.2021.0017
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  1. Balancing Relatability and Alterity in Teaching Scottish Restoration Literature: A Case Study
  2. Holly Faith Nelson, Sharon Alker
  3. pp. 217-230
  4. DOI: 10.1353/sec.2021.0018
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  1. Teaching Paradise Lost: Radical Contingency, Comparative Studies, and Community Engagement
  2. W. Scott Howard
  3. pp. 231-243
  4. DOI: 10.1353/sec.2021.0019
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  1. "Rendered Remarkable": Reading Race and Desire in The Woman of Colour
  2. Olivia Carpenter
  3. pp. 247-263
  4. DOI: 10.1353/sec.2021.0020
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  1. The Habit of Habits: Material Culture and the Eighteenth-Century London Masquerade
  2. Meghan Kobza
  3. pp. 265-293
  4. DOI: 10.1353/sec.2021.0021
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  1. Introduction: Disability in the Eighteenth Century
  2. Travis Chi Wing Lau, Madeline Sutherland-Meier
  3. pp. 297-300
  4. DOI: 10.1353/sec.2021.0022
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  1. Deformity, Life Writing, and the Overcoming Narrative
  2. D. Christopher Gabbard
  3. pp. 301-307
  4. DOI: 10.1353/sec.2021.0023
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  1. Disability as Metaphor and Lived Experience in Samuel Richardson's Pamela and Sarah Scott's Millenium Hall
  2. Jason S. Farr
  3. pp. 309-312
  4. DOI: 10.1353/sec.2021.0024
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  1. Heterosexual Plots and Ill Narratives in Jane Austen's Pride and Prejudice
  2. Hannah Chaskin
  3. pp. 313-318
  4. DOI: 10.1353/sec.2021.0025
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  1. Rochester's Libertinism and the Pleasure of Debility
  2. Declan Kavanagh
  3. pp. 319-324
  4. DOI: 10.1353/sec.2021.0026
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  1. Contributors to Volume 50
  2. pp. 325-330
  3. DOI: 10.1353/sec.2021.0027
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